Christophe Offenstein (b. 1962)

Alias:
Christophe Offstein

Birthplace:
Fontenay aux Roses, Hauts-de-Seine, France

Born:
March 24, 1962

Christophe Offenstein, né à Fontenay-aux-Roses en mars 1962, est un réalisateur et directeur de la photographie français.   Il entre dans le cinéma en tant qu'électricien puis chef électricien, opérateur et enfin chef opérateur. Il est également producteur et réalisateur. Il travaille auprès de plusieurs personnalités, dont Guillaume Canet, François Cluzet, Marion Cotillard et Jean-Paul Rouve. Il a été nommé aux César du meilleur directeur de la photographie pour Ne le dis à personne de Guillaume Canet qui recevra entre autres le prix du meilleur réalisateur. Il est le père de Lolita Offenstein, également actrice.

Additional information:

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Cinematography:
2015  Comment c'est loin
2022  Placés

Director:
2005  Oh My God!
2013  Turning Tide
2015  Comment c'est loin
2022  Canailles
2022  Placés
2024  Les Cadeaux
????  Mission Véga

Director of Photography:
2002  Whatever You Say
2004  The Great Role
2004  The Pleasure Is All Mine
2005  Cavalcade
2005  Edy
2005  Oh My God!
2006  Tell No One
2007  Pur week-end
2007  The Key
2008  The Easy Way
2010  Libre échange
2010  Little White Lies
2010  Student Services
2011  Where Do We Go Now?
2013  Blood Ties
2013  Cookie
2013  Turning Tide
2014  Les Souvenirs
2014  The Kidnapping of Michel Houellebecq
2015  Comment c'est loin
2015  Valley of Love
2016  Rhapsody
2016  The End
2017  Rock'n Roll
2018  Lola and Her Brothers
2019  Little White Lies 2
2019  Thalasso
2021  10 mai 1981 : Changer la vie ?
2021  Bigger Than Us
2022  Canailles
2022  Placés
2023  The Tower
2024  Being Blanche Houellebecq
2024  Les Cadeaux
2024  Start Me Up
????  Mission Véga

Screenplay:
2002  Whatever You Say
2004  The Great Role
2004  The Pleasure Is All Mine
2005  Cavalcade
2005  Edy
2005  Oh My God!
2006  Tell No One
2007  Pur week-end
2007  The Key
2008  The Easy Way
2010  Libre échange
2010  Little White Lies
2010  Student Services
2011  Where Do We Go Now?
2013  Blood Ties
2013  Cookie
2013  Turning Tide
2014  Les Souvenirs
2014  The Kidnapping of Michel Houellebecq
2015  Comment c'est loin
2015  Valley of Love
2016  Rhapsody
2016  The End
2017  Rock'n Roll
2018  Lola and Her Brothers
2019  Little White Lies 2
2019  Thalasso
2021  10 mai 1981 : Changer la vie ?
2021  Bigger Than Us
2022  Canailles
2022  Placés
2023  The Tower
2024  Being Blanche Houellebecq
2024  Les Cadeaux
2024  Start Me Up
????  Mission Véga

Writer:
2002  Whatever You Say
2004  The Great Role
2004  The Pleasure Is All Mine
2005  Cavalcade
2005  Edy
2005  Oh My God!
2006  Tell No One
2007  Pur week-end
2007  The Key
2008  The Easy Way
2010  Libre échange
2010  Little White Lies
2010  Student Services
2011  Where Do We Go Now?
2013  Blood Ties
2013  Cookie
2013  Turning Tide
2014  Les Souvenirs
2014  The Kidnapping of Michel Houellebecq
2015  Comment c'est loin
2015  Valley of Love
2016  Rhapsody
2016  The End
2017  Rock'n Roll
2018  Lola and Her Brothers
2019  Little White Lies 2
2019  Thalasso
2021  10 mai 1981 : Changer la vie ?
2021  Bigger Than Us
2022  Canailles
2022  Placés
2022  Valiant Hearts
2023  The Tower
2024  Being Blanche Houellebecq
2024  Les Cadeaux
2024  Start Me Up
????  Mission Véga

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.