A work in constant progress (and occasional regress).
Release Date:
February 2, 2021
Original Title:
Les Nazis et l'Argent : au cœur du IIIe Reich
Alternate Titles:
Blood Money: Inside the Nazi Economy
Die Nazis, die Arbeit und das Geld
Los nazis y el dinero
Vérdíj - A náci gazdaság belülről
Genres:
Documentary | History | TV Movie | War
Production Companies:
ARTE
Gogogo Films
JPL Films
Production Countries:
France
Ratings / Certifications:
N/A
Runtime: 94
How did Nazi Germany, from limited natural resources, mass unemployment, little money and a damaged industry, manage to unfurl the cataclysm of World War Two and come to occupy a large part of the European continent? Based on recent historical works of and interviews with Adam Tooze, Richard Overy, Frank Bajohr and Marie-Bénédicte Vincent, and drawing on rare archival material.
Additional Camera:
Olga Vazquez
Carla Muresan
Animation Director:
Fabienne Wagenaar
Gil Rabier
Assistant Editor:
Sophie Krykwinski
Jehan Folqué
Cinematography:
Laurent Coltelloni
Color Grading:
Éric Heinrich
Director:
Gil Rabier
Editor:
Florence Ricard
Executive Producer:
Carine Ruszniewski
Graphic Designer:
Pierre-Jean Canac
Mix Technician:
Mourad Louanchi
Original Music Composer:
Nicolas Mollard
Production Manager:
Louise Bansard
Sound:
David Rit
Chaim Rubenstein
Giacomo Avanza
Sound Editor:
Mourad Louanchi
Writer:
Olivier Wieviorka
Gil Rabier
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At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.