A work in constant progress (and occasional regress).
Alias:
Olga Vázquez
Birthplace:
Barcelona, Catalonia, Spain
Olga Vázquez, AEC is a queer cinematographer born in Barcelona and based in New York, USA. Her love for cinema takes her around the world, shooting diverse content from narrative feature films to documentaries, TV shows and commercials. She takes a versatile and collaborative approach to every new project, fortifying the director's unique vision with technical skills and visual language. She believes that filmmaking is a team sport and works to bring departments together to achieve the director's vision. Her credits include Treasure Trouble starring Olivia Luccardi (The Deuce) and Matthew Shear (The Alienist), Asking For It (Fuse TV) starring Janeane Garofalo (Wet Hot American Summer) and Stephanie Hsu (Marvelous Mrs. Maisel) and Hooked starring Catherine Curtin (Stranger Things, Insecure). She recently DP'd a two-part docu-series called Gaming Wall Street, which had its world premiere on HBO Max. Vazquez's work has screened at major festivals like Cannes, Venice, Moscow, Santa Fe and Seattle, to name a few. Her films have been distributed by HBO Max, Amazon, Rai Cinema, Fuse TV, Lifetime Televisions , A&E networks and Breaking Glass
Additional Camera:
2021 Blood Money: Inside the Nazi Economy
Cinematography:
2013 The Elegant Clockwork of the Universe
2019 Hooked
2021 Blood Money: Inside the Nazi Economy
Director of Photography:
2013 The Elegant Clockwork of the Universe
2017 Pinsky
2018 A Lonely Woman
2019 Hooked
2019 Treasure Trouble
2021 Blood Money: Inside the Nazi Economy
Producer:
2013 The Elegant Clockwork of the Universe
2017 Pinsky
2018 A Lonely Woman
2019 Hooked
2019 Treasure Trouble
2021 Blood Money: Inside the Nazi Economy
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.