A work in constant progress (and occasional regress).
Assistant Editor:
2016 The Lévi-Strauss Century
2016 The Nansen Passport
2017 VHS Revolution
2019 Coco Chanel's battles
2021 Apocalypse Mode
2021 Blood Money: Inside the Nazi Economy
Color Grading:
2016 La Suisse, coffre-fort d'Hitler
2016 The Lévi-Strauss Century
2016 The Nansen Passport
2017 VHS Revolution
2019 Coco Chanel's battles
2021 Apocalypse Mode
2021 Blood Money: Inside the Nazi Economy
Editor:
2007 Sur le tournage d'Angel
2016 La Suisse, coffre-fort d'Hitler
2016 The Lévi-Strauss Century
2016 The Nansen Passport
2017 VHS Revolution
2019 Coco Chanel's battles
2021 Apocalypse Mode
2021 Blood Money: Inside the Nazi Economy
2021 François Mitterrand & Anne Pingeot: Pieces of a Love Story
Post Production Supervisor:
2007 Sur le tournage d'Angel
2016 La Suisse, coffre-fort d'Hitler
2016 The Lévi-Strauss Century
2016 The Nansen Passport
2017 VHS Revolution
2019 Coco Chanel's battles
2020 Auguste Escoffier: The Birth of Haute Cuisine
2021 Apocalypse Mode
2021 Blood Money: Inside the Nazi Economy
2021 François Mitterrand & Anne Pingeot: Pieces of a Love Story
Post-Production Manager:
2007 Sur le tournage d'Angel
2016 La Suisse, coffre-fort d'Hitler
2016 The Lévi-Strauss Century
2016 The Nansen Passport
2017 De Gaulle, the Last King of France
2017 François Hollande, le mal-aimé
2017 VHS Revolution
2018 Ava Gardner, the Gypsy of Hollywood
2018 Jeunesses hitlériennes : L'endoctrinement d'une nation
2019 Coco Chanel's battles
2020 Auguste Escoffier: The Birth of Haute Cuisine
2021 Apocalypse Mode
2021 Blood Money: Inside the Nazi Economy
2021 François Mitterrand & Anne Pingeot: Pieces of a Love Story
Assistant Editor:
2016 The End of the Ottoman Empire
Post-Production Manager:
2014 39-45, de la France occupée à la France libérée
2016 The End of the Ottoman Empire
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.