A work in constant progress (and occasional regress).
Sound:
2019 The Shiny Shrimps
2021 Blood Money: Inside the Nazi Economy
2023 The Three Musketeers: D'Artagnan
2023 The Three Musketeers: Milady
2024 The Count of Monte-Cristo
2025 Natacha
Sound Designer:
1999 L'âme-soeur
2019 The Shiny Shrimps
2021 Blood Money: Inside the Nazi Economy
2023 The Three Musketeers: D'Artagnan
2023 The Three Musketeers: Milady
2024 The Count of Monte-Cristo
2025 Natacha
Sound Engineer:
1999 L'âme-soeur
2019 The Shiny Shrimps
2021 Blood Money: Inside the Nazi Economy
2023 The Three Musketeers: D'Artagnan
2023 The Three Musketeers: Milady
2024 Jeunesse, mon amour
2024 The Count of Monte-Cristo
2025 Natacha
Sound Mixer:
1999 L'âme-soeur
2018 Belleville Cop
2019 The Shiny Shrimps
2021 Blood Money: Inside the Nazi Economy
2023 The Three Musketeers: D'Artagnan
2023 The Three Musketeers: Milady
2024 Jeunesse, mon amour
2024 The Count of Monte-Cristo
2025 Natacha
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.