A work in constant progress (and occasional regress).
Alias:
Peter L. Lando
Peter Louis Lando
Peter Lando is a set decorator who has some art director credits as well. He is most known for The Dark Knight, for which he was nominated for Best Art Direction at the 81st Academy Awards. He shared his nomination with art director Nathan Crowley. Description above from the Wikipedia article Peter Lando, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Assistant Set Decoration:
1989 We're No Angels
Set Decoration:
1989 We're No Angels
1995 Deadlocked: Escape from Zone 14
1996 Fall Into Darkness
2000 The 6th Day
2002 D-Tox
2002 Insomnia
2002 The Santa Clause 2
2004 The Chronicles of Riddick
2005 Elektra
2005 Saving Milly
2007 Are We Done Yet?
2007 The Invisible
2008 Chaos Theory
2008 The Dark Knight
2010 Percy Jackson & the Olympians: The Lightning Thief
2011 The Big Year
2012 The Grey
2013 Elysium
2013 Ender's Game
2014 Night at the Museum: Secret of the Tomb
2016 Special Correspondents
2017 Logan
2019 Cold Pursuit
2019 Ford v Ferrari
2022 Prey
2024 Lonely Planet
???? Wind River: Rising
Set Decoration Buyer:
1989 We're No Angels
1991 Omen IV: The Awakening
1995 Deadlocked: Escape from Zone 14
1996 Fall Into Darkness
2000 The 6th Day
2002 D-Tox
2002 Insomnia
2002 The Santa Clause 2
2004 The Chronicles of Riddick
2005 Elektra
2005 Saving Milly
2007 Are We Done Yet?
2007 The Invisible
2008 Chaos Theory
2008 The Dark Knight
2010 Percy Jackson & the Olympians: The Lightning Thief
2011 The Big Year
2012 The Grey
2013 Elysium
2013 Ender's Game
2014 Night at the Museum: Secret of the Tomb
2016 Special Correspondents
2017 Logan
2019 Cold Pursuit
2019 Ford v Ferrari
2022 Prey
2024 Lonely Planet
???? Wind River: Rising
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.