A work in constant progress (and occasional regress).
Terilyn A. Shropshire is an American motion picture and television editor. She is the daughter of Thomas B. Shropshire, a corporate executive. Her big break as a motion picture editor came when she was hired to cut Eve's Bayou, the auspicious feature directing debut of actress Kasi Lemmons. The film went on to become the highest-grossing independent film of 1997, and it received numerous awards, including Best First Feature at the Independent Spirit Awards. After the success of the film, Spike Lee suggested that she go to director Gina Prince-Bythewood for her breakout film Love & Basketball. She has collaborated with both Lemmons and Prince-Bythewood on nearly all of their films. Shropshire has received an Eddie Award from the American Cinema Editors and has been nominated for an Emmy Award. She has been elected as a member of the American Cinema Editors. Description above from the Wikipedia article Terilyn A. Shropshire, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Additional Editor:
2018 A Wrinkle in Time
Assistant Editor:
1995 Strange Days
2018 A Wrinkle in Time
Editor:
1984 Book of Joe
1995 Embrace of the Vampire
1995 Strange Days
1996 Poison Ivy 2: Lily
1997 Another 9 1/2 Weeks
1997 Eve's Bayou
1999 Mean Streak
1999 The Joyriders
2000 Love & Basketball
2001 The Caveman's Valentine
2003 Biker Boyz
2005 Diary of a Mad Black Woman
2006 Waist Deep
2007 Talk to Me
2008 American Violet
2008 The Secret Life of Bees
2011 Jumping the Broom
2012 Sparkle
2013 Black Nativity
2014 Among Ravens
2014 Beyond the Lights
2018 A Wrinkle in Time
2019 Miss Bala
2020 Between the World and Me
2020 Bruised
2020 Cops and Robbers
2020 The Old Guard
2022 The Woman King
2024 Twisters
2027 Children of Blood and Bone
Editor:
2015 Quantico
2017 Shots Fired
2019 When They See Us
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.