A work in constant progress (and occasional regress).
Alias:
Sekula
Birthplace:
Wrocław, Poland
Born:
December 19, 1954
From Wikipedia, the free encyclopedia. Andrzej Sekuła (born 1954 in Wrocław, Poland) is a Polish cinematographer and film director. He left his native Poland in 1980 and currently lives in Los Angeles. His cinematography work has appeared in such prominent films as Reservoir Dogs and Pulp Fiction. In Armored, Sekula's work helped convey the bleakness at the core of the film, critic A. O. Scott wrote in The New York Times. Description above from the Wikipedia article Andrzej Sekuła, licensed under CC-BY-SA, full list of contributors on Wikipedia
Assistant Camera:
1986 Caprice
Cinematography:
1986 Caprice
1993 Bank Robber
2018 Speed Kills
Director:
1986 Caprice
1993 Bank Robber
2000 Voodoo Dawn
2002 Cube 2: Hypercube
2006 The Pleasure Drivers
2018 Speed Kills
2021 While We Sleep
Director of Photography:
1986 Caprice
1991 Revolver
1992 Reservoir Dogs
1993 Bank Robber
1993 Three of Hearts
1994 Oleanna
1994 Pulp Fiction
1994 Sleep with Me
1995 Across the Moon
1995 Body Language
1995 Four Rooms
1995 Hackers
1995 Original Sins
1997 A Further Gesture
1997 Stand-Ins
1998 Cousin Bette
2000 American Psycho
2000 Voodoo Dawn
2002 Cube 2: Hypercube
2006 The Pleasure Drivers
2007 Vacancy
2008 Vice
2009 Armored
2010 Trust
2012 For the Love of Money
2014 Rage
2016 I Am Wrath
2016 USS Indianapolis: Men of Courage
2017 Lord of Shanghai
2018 Speed Kills
2020 Lord of Shanghai 2
2021 While We Sleep
2023 Purring Metal
2023 The Ritual Killer
2024 Place of Bones
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.