A work in constant progress (and occasional regress).
Alias:
Haley B. Sweet
Co-Producer:
2022 The Man from Toronto
Location Assistant:
1994 Pulp Fiction
2022 The Man from Toronto
Production Coordinator:
1994 Pulp Fiction
2002 We Were Soldiers
2022 The Man from Toronto
Production Manager:
1994 Pulp Fiction
2002 We Were Soldiers
2005 The Dying Gaul
2017 Baby Driver
2018 The Equalizer 2
2022 The Man from Toronto
Production Supervisor:
1994 Pulp Fiction
2002 We Were Soldiers
2003 Bad Santa
2004 The Whole Ten Yards
2005 Don't Come Knocking
2005 Lords of Dogtown
2005 The Dying Gaul
2006 Black Snake Moan
2007 Into the Wild
2010 MacGruber
2010 The Fighter
2012 Lay the Favorite
2015 Goosebumps
2017 Baby Driver
2018 The Equalizer 2
2022 The Man from Toronto
Unit Production Manager:
1994 Pulp Fiction
2002 We Were Soldiers
2003 Bad Santa
2004 The Whole Ten Yards
2005 Don't Come Knocking
2005 Lords of Dogtown
2005 The Dying Gaul
2006 Black Snake Moan
2007 Into the Wild
2010 MacGruber
2010 The Fighter
2012 Lay the Favorite
2015 Goosebumps
2017 Baby Driver
2018 The Equalizer 2
2019 Wine Country
2020 Spenser Confidential
2022 The Man from Toronto
2024 The Instigators
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.