A work in constant progress (and occasional regress).
Aline Bonetto is a French production designer and set decorator, best known for her work with Jean-Pierre Jeunet on films such as Amélie (2001), A Very Long Engagement (2004), and Micmacs (2009), among others. Her work on the first two of those films each earned her the César Award for Best Production Design, as well as nominations for the Academy Award for Best Art Direction. She served as production designer on the DC Extended Universe film Wonder Woman (2017), as well as its sequel Wonder Woman 1984 (2020). Source: Article "Aline Bonetto" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Production Design:
1993 Lost in Transit
1997 Proper Attire Required
1999 Je règle mon pas sur le pas de mon père
1999 Kennedy et moi
2001 Amélie
2003 Leave Your Hands on My Hips
2004 A Very Long Engagement
2005 Hell
2008 Asterix at the Olympic Games
2009 Micmacs
2010 L'appel du 18 juin
2011 You Will Be My Son
2013 The Young and Prodigious T.S. Spivet
2014 Yves Saint Laurent
2015 Pan
2017 Wonder Woman
2020 Wonder Woman 1984
2022 Bigbug
2023 Asterix & Obelix: The Middle Kingdom
2024 The Killer
Set Decoration:
1991 Delicatessen
1993 Lost in Transit
1995 The City of Lost Children
1997 Proper Attire Required
1998 Madeline
1999 Je règle mon pas sur le pas de mon père
1999 Kennedy et moi
2001 Amélie
2002 The Truth About Charlie
2003 Leave Your Hands on My Hips
2004 A Very Long Engagement
2005 Hell
2008 Asterix at the Olympic Games
2009 Micmacs
2010 L'appel du 18 juin
2011 You Will Be My Son
2013 The Young and Prodigious T.S. Spivet
2014 Yves Saint Laurent
2015 Pan
2017 Wonder Woman
2020 Wonder Woman 1984
2022 Bigbug
2023 Asterix & Obelix: The Middle Kingdom
2024 The Killer
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.