A work in constant progress (and occasional regress).
Birthplace:
Lyon, Rhône, France
Born:
January 1, 1975
Sélim Azzazi is a French sound editor, producer and director. Best known for his work on Ennemis intérieurs as director, which earned him critical appraisal and recognition including Academy Award for Best Live Action Short Film at the 89th Academy Awards in 2017. Source: Article "Sélim Azzazi" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Assistant Sound Editor:
2000 Harrison's Flowers
Director:
2000 Harrison's Flowers
2016 Enemies Within
2017 2017 Oscar Nominated Short Films - Live Action
Sound:
2000 Harrison's Flowers
2016 Enemies Within
2017 2017 Oscar Nominated Short Films - Live Action
2018 The Emperor of Paris
Sound Designer:
2000 Harrison's Flowers
2016 Enemies Within
2017 2017 Oscar Nominated Short Films - Live Action
2018 The Emperor of Paris
2024 The Most Precious of Cargoes
Sound Editor:
2000 Harrison's Flowers
2001 Vidocq
2002 Samouraïs
2004 Double zéro
2004 Earth and Ashes
2011 The Source
2014 The Search
2016 Enemies Within
2017 2017 Oscar Nominated Short Films - Live Action
2018 The Emperor of Paris
2019 The Specials
2022 Final Cut
2024 The Most Precious of Cargoes
Sound Effects Editor:
2000 Harrison's Flowers
2001 Vidocq
2002 Samouraïs
2004 Double zéro
2004 Earth and Ashes
2008 Babylon A.D.
2009 Micmacs
2011 The Source
2014 The Search
2016 Enemies Within
2017 2017 Oscar Nominated Short Films - Live Action
2018 The Emperor of Paris
2019 The Specials
2022 Final Cut
2024 The Most Precious of Cargoes
Sound Recordist:
2000 Harrison's Flowers
2001 Vidocq
2002 Samouraïs
2004 Changement de trottoir
2004 Double zéro
2004 Earth and Ashes
2008 Babylon A.D.
2009 Micmacs
2011 The Source
2014 The Search
2016 Enemies Within
2017 2017 Oscar Nominated Short Films - Live Action
2018 The Emperor of Paris
2019 The Specials
2022 Final Cut
2024 The Most Precious of Cargoes
Supervising Sound Editor:
2000 Harrison's Flowers
2001 Vidocq
2002 Samouraïs
2004 Changement de trottoir
2004 Double zéro
2004 Earth and Ashes
2006 Zidane: A 21st Century Portrait
2008 Babylon A.D.
2009 Micmacs
2009 The Concert
2011 Black Gold
2011 The Source
2014 The Search
2016 Enemies Within
2017 2017 Oscar Nominated Short Films - Live Action
2018 The Emperor of Paris
2019 The Specials
2022 Bigbug
2022 Final Cut
2024 The Most Precious of Cargoes
Writer:
2000 Harrison's Flowers
2001 Vidocq
2002 Samouraïs
2004 Changement de trottoir
2004 Double zéro
2004 Earth and Ashes
2006 Zidane: A 21st Century Portrait
2008 Babylon A.D.
2009 Micmacs
2009 The Concert
2011 Black Gold
2011 The Source
2014 The Search
2016 Enemies Within
2017 2017 Oscar Nominated Short Films - Live Action
2018 The Emperor of Paris
2019 The Specials
2022 Bigbug
2022 Final Cut
2024 The Most Precious of Cargoes
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.