A work in constant progress (and occasional regress).
Release Date:
November 26, 2020
Original Title:
Babenco - Alguém Tem que Ouvir o Coração e Dizer: Parou
Alternate Titles:
Babenco - Someone Has to Listen to the Heart and Say: It Has Stopped
Babenco: Powiedz, kiedy umrę
Babenco: dime cuándo muero
Genres:
Documentary
Production Companies:
Ava Filmes
Canal Brasil
Globo Filmes
GloboNews
Gullane Entretenimento
HB Filmes
Lusco Fusco Filmes
Production Countries:
Brazil
Ratings / Certifications:
N/A
Runtime: 74
Besieged by cancer and nearing the end, the genius Argentine-Brazilian filmmaker Héctor Babenco (1946-2016) asks Bárbara Paz, his wife, for one last wish: to be the protagonist of his own death.
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Archival Footage Coordinator:
Antônio Venâncio
Art Direction:
Lara Tauzs
Assistant Editor:
Karen Harley
Yaël Bitton
Associate Producer:
Willem Dafoe
Petra Costa
Co-Producer:
Fabiano Gullane
Caio Gullane
Director:
Bárbara Paz
Director of Photography:
Stefan Ciupek
Carolina Costa
Azul Serra
Editor:
Felipe Bibian
Cao Guimarães
Felipe Nepomuceno
Juliana Guanais
Joaquim Castro
Eduardo Escorel
Bárbara Paz
Marilia Moraes
Vitor Mafra
Executive Producer:
Ana Saito
Daniela Antonelli Aun
Original Music Composer:
Nelson Soares
Marcos Moreira
Post Production Coordinator:
Leonardo Sadagurschi
Post Production Supervisor:
Lucas Marini
Producer:
Bárbara Paz
Myra Babenco
Production Director:
Beto Bruno
Erica Cardoso
Research Assistant:
Alexandre Gouin
Researcher:
Eduardo Morgan
Laura Tusi
Eduardo Biaia
Sound Editor:
Rodrigo Ferrante
Sound Mixer:
Ricardo Reis
Still Photographer:
Jorge Bodanzky
Supervising Sound Editor:
Miriam Biderman
Visual Effects Supervisor:
Gustavo Leão
Writer:
Maria Camargo
Bárbara Paz
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.