A work in constant progress (and occasional regress).
Birthplace:
Passos, Minas Gerais, Brazil
Born:
December 30, 1972
Selton Mello, one of Brazil’s most respected actors and directors, has built a remarkable career spanning four decades. From his beginnings as a child actor to his status as a celebrated artist, Mello has consistently demonstrated his passion for storytelling and connection with audiences. Born on December 30, 1972, in Passos, Minas Gerais, Mello began acting in Brazilian television soap operas during the 1980s. His talent quickly earned him recognition, leading to his transition to cinema. In the 1990s, he gained acclaim with films such as Lavoura Arcaica (To the Left of the Father) and O Auto da Compadecida (A Dog’s Will). The latter remains a cultural classic, with Mello’s role as Chicó highlighting his comedic timing and depth. Mello’s versatility as an actor is evident in his diverse filmography, including Meu Nome Não É Johnny (My Name Ain’t Johnny)* and Jean Charles, a poignant portrayal of a Brazilian immigrant’s tragic story. In Ainda Estou Aqui (I’m Still Here), directed by Walter Salles, Mello delivered a powerful performance as Rubens Paiva, a congressman disappeared during Brazil’s military dictatorship. Beyond acting, Mello has excelled as a director. His 2011 film O Palhaço (The Clown), which explores themes of identity and purpose, received widespread acclaim and numerous awards. His second directorial work, O Filme da Minha Vida (The Movie of My Life), further showcased his storytelling ability, earning accolades at the Rome Film Festival. In 2024, Mello continues to impact Brazilian cinema with anticipated projects like O Auto da Compadecida 2 and Bury Your Dead, reflecting his ability to adapt to diverse narratives. A member of the Academy of Motion Picture Arts and Sciences, Mello plays a key role in promoting Brazilian cinema internationally. With over 40 years in the industry, Selton Mello remains a significant figure, celebrated for his contributions as an actor, director, and cultural embassador.
Art Department Coordinator:
2023 Tá Roxeda
Associate Producer:
2006 Drained
2012 Kings & Rats
2013 Rio 2096: A Story of Love and Fury
2023 Tá Roxeda
2024 The Rogue's Trial
Co-Producer:
2006 Drained
2008 December
2011 The Clown
2012 Kings & Rats
2013 Rio 2096: A Story of Love and Fury
2017 Soundtrack
2023 Tá Roxeda
2024 The Rogue's Trial
Director:
2006 Drained
2006 Quando o Tempo Cair
2008 December
2011 The Clown
2012 Kings & Rats
2013 Rio 2096: A Story of Love and Fury
2017 Soundtrack
2017 The Movie of My Life
2023 Tá Roxeda
2024 The Rogue's Trial
???? Os Singulares
Editor:
2006 Drained
2006 Quando o Tempo Cair
2008 December
2011 The Clown
2012 Kings & Rats
2013 Rio 2096: A Story of Love and Fury
2017 Soundtrack
2017 The Movie of My Life
2023 Tá Roxeda
2024 The Rogue's Trial
???? Os Singulares
Executive Producer:
2006 Drained
2006 Quando o Tempo Cair
2008 December
2011 The Clown
2012 Kings & Rats
2013 Rio 2096: A Story of Love and Fury
2017 Soundtrack
2017 The Movie of My Life
2023 Tá Roxeda
2024 The Rogue's Trial
???? Os Singulares
Screenplay:
2006 Drained
2006 Quando o Tempo Cair
2008 December
2011 The Clown
2012 Kings & Rats
2013 Rio 2096: A Story of Love and Fury
2017 Soundtrack
2017 The Movie of My Life
2023 Tá Roxeda
2024 The Rogue's Trial
???? Os Singulares
Associate Producer:
2012 Sessão de Terapia
Director:
2007 O Sistema
2011 The Invisible Woman
2012 Sessão de Terapia
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.