A work in constant progress (and occasional regress).
Camera Operator:
2012 Light in Darkness: The Return of Red Light Bandit
Director:
2012 Light in Darkness: The Return of Red Light Bandit
2014 Dominguinhos
2021 Desire Machine: 60 Years of Teatro Oficina
2022 Partido: Os Bastidores da Eleição que Fragmentou o Brasil
Editor:
2009 Lands
2010 Agreste
2012 Light in Darkness: The Return of Red Light Bandit
2013 Jards
2014 Dominguinhos
2014 Naked Eye
2015 Carlos Reichenbach: Relatório Confidencial
2019 The Edge of Democracy
2020 Babenco: Tell Me When I Die
2020 Gabriel Medina
2021 Desire Machine: 60 Years of Teatro Oficina
2022 A Música Natureza de Léa Freire
2022 Partido: Os Bastidores da Eleição que Fragmentou o Brasil
2023 Cartório das Almas
2024 Luiz Melodia - Within the Heart of Brazil
???? O Piano que Conversa
Sound Designer:
2009 Lands
2010 Agreste
2012 Light in Darkness: The Return of Red Light Bandit
2013 Jards
2014 Dominguinhos
2014 Naked Eye
2015 Carlos Reichenbach: Relatório Confidencial
2019 The Edge of Democracy
2020 Babenco: Tell Me When I Die
2020 Gabriel Medina
2021 Desire Machine: 60 Years of Teatro Oficina
2022 A Música Natureza de Léa Freire
2022 Partido: Os Bastidores da Eleição que Fragmentou o Brasil
2023 Cartório das Almas
2024 Luiz Melodia - Within the Heart of Brazil
???? O Piano que Conversa
Writer:
2009 Lands
2010 Agreste
2012 Light in Darkness: The Return of Red Light Bandit
2013 Jards
2014 Dominguinhos
2014 Naked Eye
2015 Carlos Reichenbach: Relatório Confidencial
2019 The Edge of Democracy
2020 Babenco: Tell Me When I Die
2020 Gabriel Medina
2021 Desire Machine: 60 Years of Teatro Oficina
2022 A Música Natureza de Léa Freire
2022 Partido: Os Bastidores da Eleição que Fragmentou o Brasil
2023 Cartório das Almas
2024 Luiz Melodia - Within the Heart of Brazil
???? O Piano que Conversa
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.