A work in constant progress (and occasional regress).
Alias:
Фернанда Торрес
Birthplace:
Rio de Janeiro, Rio de Janeiro, Brazil
Born:
September 14, 1965
Fernanda Pinheiro Torres (Rio de Janeiro, September 15, 1965), is a Brazilian actress, writer, columnist and screenwriter. She is the daughter of Oscar-nominated actress Fernanda Montenegro and actor Fernando Torres. In May 1986, she received the Best Actress Award at Cannes Festival for Arnaldo Jabor's "Eu Sei Que Vou Te Amar", at the age of 20. She's married to movie producer and director Andrucha Waddington, who directed her and her mother in the 2005 film "The House of Sand". They have two sons together, Joaquim (b. 2000) and Antônio (born on April 10, 2008). She is also the stepmother of João (b. 1993) and Pedro (b. 1995). In 2003, she wrote her first script ("O Redentor", 2004), with the assistance of her brother, cinematographer Cláudio Torres. In 2025, she received the Golden Globe award for Best Actress in a Motion Picture - Drama and an Academy Award nomination for Best Actress in a Leading Role, both for her performance in "I'm Still Here (Ainda Estou Aqui)".
Associate Producer:
1994 Savage Capitalism
1999 Twins
Other:
1994 Savage Capitalism
1999 Twins
2012 Party Crashers
Screenplay:
1994 Savage Capitalism
1999 Twins
2004 Redeemer
2012 Party Crashers
Story:
1994 Savage Capitalism
1999 Twins
2004 Redeemer
2012 Party Crashers
Writer:
1985 Com Licença, Eu Vou à Luta
1994 Savage Capitalism
1999 Betrayal
1999 Twins
2004 Redeemer
2012 Party Crashers
2019 O Juízo
2020 Gilda, Lúcia and The Goat
Book:
2023 The End
Creator:
2016 Minha Estupidez
2023 The End
Screenplay:
2016 Minha Estupidez
2023 The End
Writer:
2016 Minha Estupidez
2020 Amor e Sorte
2023 The End
2023 The Others
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.