A work in constant progress (and occasional regress).
Music:
2002 Nearest to Heaven
2012 Dénoncer sous l'Occupation
2013 True Friends
2016 Divorce French Style
2017 39-45 : la guerre des enfants
2017 Some Like It Veiled
2020 So Long, Paris!
2022 About Joan
2024 Je ne te dirai plus oui, Endy
Original Music Composer:
2001 Tender Souls
2002 Carnage
2002 Nearest to Heaven
2011 The Mole
2012 Dénoncer sous l'Occupation
2012 What's in a Name
2013 True Friends
2014 Nobody from Nowhere
2015 Daddy or Mommy
2016 Divorce French Style
2016 Please Love Me Forever
2017 39-45 : la guerre des enfants
2017 Sahara
2017 Some Like It Veiled
2019 The Best Is Yet to Come
2020 My Cousin
2020 So Long, Paris!
2020 The Fantastic Journey of Margot & Marguerite
2022 About Joan
2024 Je ne te dirai plus oui, Endy
Sound:
2001 Tender Souls
2002 Carnage
2002 Nearest to Heaven
2011 The Mole
2012 Dénoncer sous l'Occupation
2012 What's in a Name
2013 True Friends
2014 Nobody from Nowhere
2015 Daddy or Mommy
2016 Divorce French Style
2016 Please Love Me Forever
2017 39-45 : la guerre des enfants
2017 Sahara
2017 Some Like It Veiled
2019 The Best Is Yet to Come
2020 My Cousin
2020 So Long, Paris!
2020 The Fantastic Journey of Margot & Marguerite
2022 About Joan
2022 Children of Chaos
2024 Je ne te dirai plus oui, Endy
Original Music Composer:
2018 Papa ou Maman
2022 At War for Algeria
Sound:
2017 Et tout le monde s'en fout
2018 Papa ou Maman
2022 At War for Algeria
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.