A work in constant progress (and occasional regress).
Birthplace:
France
Guillaume Schiffman is a French cinematographer who is known for the films he has made with director Michel Hazanavicius, including OSS 117: Cairo, Nest of Spies in 2006 and OSS 117: Lost in Rio in 2009. Schiffman is particularly known for his work on The Artist with Hazanavicius. Schiffman shot The Artist in color and then monochromed it into black-and-white in the lab. On 24 January 2012, Schiffman received his first ever Academy Award nomination for his work on the silent film, The Artist. Schiffman won the BAFTA Award for Best Cinematography in 2012 for The Artist. He was invited to join the Academy of Motion Picture Arts and Sciences in June 2012 along with 175 other individuals. Guillaume Schiffman is the son of the late French screenwriter and film director, Suzanne Schiffman. His father was American. Source: Article "Guillaume Schiffman" from Wikipedia in english, licensed under CC-BY-SA 3.0.
Director of Photography:
1989 Justement Schubert
1994 Le Sourire
1996 Bernie
1996 So What?
1997 Love Reinvented
1998 Class Trip
1999 Kennedy et moi
2001 Young Blades
2002 La bande du drugstore
2003 Brocéliande
2004 93, rue Lauriston
2004 Anatomy of Hell
2004 The Great Role
2005 Belzec
2005 Chok Dee: The Kickboxer
2006 OSS 117: Cairo, Nest of Spies
2007 Ain't Scared
2007 Ambitious
2007 Lady Bar
2008 A Simple Heart
2009 OSS 117: Lost in Rio
2010 Gainsbourg: A Heroic Life
2010 The Counsel
2011 Chez Gino
2011 Leila
2011 The Artist
2012 Populaire
2012 The Players
2013 On My Way
2013 Turning Tide
2014 Behind Closed Doors
2014 The Search
2015 Standing Tall
2016 150 Milligrams
2016 Jailbirds
2016 Public Friends
2016 Smile
2017 Godard Mon Amour
2017 M
2018 Angel Face
2018 Return of the Hero
2019 André Téchiné: A Passion for Cinema
2019 Oh Les Filles!
2019 The Best Is Yet to Come
2019 The Translators
2020 How to Be a Good Wife
2020 My Cousin
2020 The Lost Prince
2021 Waiting for Bojangles
2022 A Radiant Girl
2023 All to Play For
2023 Consent
2024 Bonnard, Pierre and Marthe
2024 Give a Little Beat
2025 Ma mère, Dieu et Sylvie Vartan
Second Assistant Camera:
1985 An Impudent Girl
1989 Justement Schubert
1994 Le Sourire
1996 Bernie
1996 So What?
1997 Love Reinvented
1998 Class Trip
1999 Kennedy et moi
2001 Young Blades
2002 La bande du drugstore
2003 Brocéliande
2004 93, rue Lauriston
2004 Anatomy of Hell
2004 The Great Role
2005 Belzec
2005 Chok Dee: The Kickboxer
2006 OSS 117: Cairo, Nest of Spies
2007 Ain't Scared
2007 Ambitious
2007 Lady Bar
2008 A Simple Heart
2009 OSS 117: Lost in Rio
2010 Gainsbourg: A Heroic Life
2010 The Counsel
2011 Chez Gino
2011 Leila
2011 The Artist
2012 Populaire
2012 The Players
2013 On My Way
2013 Turning Tide
2014 Behind Closed Doors
2014 The Search
2015 Standing Tall
2016 150 Milligrams
2016 Jailbirds
2016 Public Friends
2016 Smile
2017 Godard Mon Amour
2017 M
2018 Angel Face
2018 Return of the Hero
2019 André Téchiné: A Passion for Cinema
2019 Oh Les Filles!
2019 The Best Is Yet to Come
2019 The Translators
2020 How to Be a Good Wife
2020 My Cousin
2020 The Lost Prince
2021 Waiting for Bojangles
2022 A Radiant Girl
2023 All to Play For
2023 Consent
2024 Bonnard, Pierre and Marthe
2024 Give a Little Beat
2025 Ma mère, Dieu et Sylvie Vartan
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.