A work in constant progress (and occasional regress).
Birthplace:
Quebec, Canada
Born:
July 7, 1960
Yves Bélanger (born July 7, 1960) is a Canadian cinematographer. He has worked on films by directors such as Alain Desrochers, Xavier Dolan and Clint Eastwood, and he is a frequent collaborator of Jean-Marc Vallée. He's known for Dallas Buyers Club (2013) and Wild (2014) In 2016, he received a Canadian Screen Award for Best Cinematography for his work in Brooklyn (2015).
Assistant Camera:
1985 Adramélech
Director of Photography:
1985 Adramélech
2001 Cause Of Death
2006 Cheech
2008 You Belong to Me
2011 Operation Casablanca
2011 Thrill of the Hills
2012 Laurence Anyways
2013 Dallas Buyers Club
2014 The Little Queen
2014 Wild
2015 Brooklyn
2016 9
2016 Demolition
2016 Shut In
2018 Indian Horse
2018 The Mule
2019 14 Days, 12 Nights
2019 Long Shot
2019 Richard Jewell
2019 Thanks for Everything
2022 Arlette
2023 Mission cohésion
2023 North Star
2024 Juror #2
2024 Sisters and Neighbors!
???? L'habit du héros
???? Silence
Second Unit Director of Photography:
1985 Adramélech
2001 Cause Of Death
2006 Cheech
2008 You Belong to Me
2011 Operation Casablanca
2011 Thrill of the Hills
2012 Laurence Anyways
2013 Dallas Buyers Club
2014 The Little Queen
2014 Wild
2015 Brooklyn
2016 9
2016 Arrival
2016 Demolition
2016 Shut In
2018 Indian Horse
2018 The Mule
2019 14 Days, 12 Nights
2019 Long Shot
2019 Richard Jewell
2019 Thanks for Everything
2022 Arlette
2023 Mission cohésion
2023 North Star
2024 Juror #2
2024 Sisters and Neighbors!
???? L'habit du héros
???? Silence
Cinematography:
2018 Sharp Objects
Director of Photography:
2010 Musée Éden
2018 Sharp Objects
2021 Nine Perfect Strangers
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.