A work in constant progress (and occasional regress).
Alias:
Roberto Fernandez
Mixing Engineer:
2000 Dinner Rush
Recording Supervision:
2000 Dinner Rush
2013 The Profane Exhibit
Scoring Mixer:
2000 Dinner Rush
2013 The Profane Exhibit
2015 Sweet Home
Sound:
2000 Dinner Rush
2011 Emetreinta
2011 La media pena
2013 The Profane Exhibit
2015 El aspirante
2015 Sweet Home
2018 The Realm
2019 #AbroHilo
2020 A Storm Was Coming
Sound Designer:
2000 Dinner Rush
2005 Choque
2007 Timecrimes
2011 Emetreinta
2011 La media pena
2013 The Profane Exhibit
2014 Neuroworld
2015 El aspirante
2015 Sweet Home
2016 Our Friend the Moon
2018 The Realm
2019 #AbroHilo
2019 The Incredible Shrinking Wknd
2020 A Storm Was Coming
Sound Director:
2000 Dinner Rush
2005 Choque
2007 Timecrimes
2011 Emetreinta
2011 La media pena
2013 The Profane Exhibit
2014 Neuroworld
2015 El aspirante
2015 Sweet Home
2016 Our Friend the Moon
2017 Mother
2018 The Realm
2019 #AbroHilo
2019 The Incredible Shrinking Wknd
2020 A Storm Was Coming
Sound Editor:
2000 Dinner Rush
2005 Choque
2007 Timecrimes
2009 Marisa
2011 Emetreinta
2011 La media pena
2013 The Profane Exhibit
2014 Neuroworld
2014 Open Windows
2015 El aspirante
2015 Malpartida Fluxus Village
2015 Sweet Home
2016 Our Friend the Moon
2017 Madres de luna
2017 Mother
2018 The Realm
2019 #AbroHilo
2019 The Incredible Shrinking Wknd
2020 A Storm Was Coming
2020 Solar Noise
2021 Nine Sevilles
2024 Alemania
Sound Mixer:
2000 Dinner Rush
2005 Choque
2007 Timecrimes
2009 Marisa
2011 Emetreinta
2011 Furia libertaria
2011 La media pena
2013 The Profane Exhibit
2014 Neuroworld
2014 Open Windows
2015 El aspirante
2015 Malpartida Fluxus Village
2015 Sweet Home
2016 Our Friend the Moon
2017 Madres de luna
2017 Mother
2018 The Realm
2019 #AbroHilo
2019 The Incredible Shrinking Wknd
2020 A Storm Was Coming
2020 Solar Noise
2021 Nine Sevilles
2024 Alemania
2024 From My Cold Dead Hands
2025 Still Life with Ghosts
Sound Re-Recording Mixer:
2000 Dinner Rush
2005 Choque
2007 Timecrimes
2009 Marisa
2011 Emetreinta
2011 Furia libertaria
2011 La media pena
2013 The Profane Exhibit
2014 Neuroworld
2014 Open Windows
2015 El aspirante
2015 Malpartida Fluxus Village
2015 Sweet Home
2016 Our Friend the Moon
2017 Madres de luna
2017 Mother
2018 Ben Is Back
2018 Puzzle
2018 The Realm
2019 #AbroHilo
2019 The Incredible Shrinking Wknd
2020 A Storm Was Coming
2020 Solar Noise
2021 Nine Sevilles
2023 Divinity
2023 Jules
2024 Alemania
2024 From My Cold Dead Hands
2025 Still Life with Ghosts
Sound Recordist:
2000 Dinner Rush
2005 Choque
2007 One of Us Cannot Be Wrong
2007 Timecrimes
2009 Marisa
2011 Emetreinta
2011 Furia libertaria
2011 La media pena
2013 The Profane Exhibit
2014 Neuroworld
2014 Open Windows
2015 El aspirante
2015 Malpartida Fluxus Village
2015 Sweet Home
2016 Our Friend the Moon
2017 Madres de luna
2017 Mother
2018 Ben Is Back
2018 Puzzle
2018 The Realm
2019 #AbroHilo
2019 The Incredible Shrinking Wknd
2020 A Storm Was Coming
2020 Solar Noise
2021 Nine Sevilles
2023 Divinity
2023 Jules
2024 Alemania
2024 From My Cold Dead Hands
2025 Still Life with Ghosts
Supervising Sound Editor:
2000 Dinner Rush
2005 Choque
2007 One of Us Cannot Be Wrong
2007 Timecrimes
2009 Marisa
2011 Emetreinta
2011 Furia libertaria
2011 La media pena
2013 The Profane Exhibit
2014 Neuroworld
2014 Open Windows
2015 El aspirante
2015 Malpartida Fluxus Village
2015 Sweet Home
2016 Our Friend the Moon
2017 Madres de luna
2017 Mother
2018 Ben Is Back
2018 Puzzle
2018 The Realm
2019 #AbroHilo
2019 The Incredible Shrinking Wknd
2020 A Storm Was Coming
2020 Solar Noise
2021 Nine Sevilles
2023 Divinity
2023 Jules
2024 Alemania
2024 From My Cold Dead Hands
2025 Still Life with Ghosts
Sound Editor:
2020 Física o química: El reencuentro
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.