A work in constant progress (and occasional regress).
Release Date:
January 16, 2020
Original Title:
The Lodge
Alternate Titles:
Dağ Evi
Peur glaciale
더 로지
Genres:
Drama | Horror | Mystery | Thriller
Production Companies:
FilmNation Entertainment
Hammer Film Productions
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
AU: MA15+ BR: 16 DE: 16 FI: K-16 IE: 15 NL: 16 NO: 15 NZ: 16 PL: 18 PT: M/18 RU: 18+ SE: 15 US: R
Runtime: 108
When a father is forced to abruptly depart for work, he leaves his children, Aidan and Mia, at their holiday home in the care of his new girlfriend, Grace. Isolated and alone, a blizzard traps them inside the lodge as terrifying events summon specters from Grace's dark past.
Boom Operator:
Francis Péloquin
Casting:
Dixie Chassay
Casting Assistant:
Lucy Jordan
Co-Producer:
Paul Barbeau
Costume Design:
Sophie Lefebvre
Director:
Veronika Franz
Severin Fiala
Director of Photography:
Thimios Bakatakis
Editor:
Michael Palm
Executive Producer:
Ben Browning
Alison Cohen
Milan Popelka
Brad Zimmerman
Marc Schipper
Xavier Marchand
First Assistant Director:
Patrick Arias
Frank Ruszczynski
Makeup Artist:
Christophe Giraud
Makeup Department Head:
Joan Patricia Parris
Original Music Composer:
Danny Bensi
Saunder Jurriaans
Producer:
Aliza James
Simon Oakes
Marc Schipper
Aaron Ryder
Production Design:
Sylvain Lemaitre
Screenplay:
Sergio Casci
Veronika Franz
Severin Fiala
Script Supervisor:
Elizabeth Tremblay
Second Assistant Director:
Yari Azzopardi
Dominique Gaglione D'Amico
Set Decoration:
Frédérique B. Ste-Marie
Set Dresser:
Michel R. Lambert
Sound Designer:
Paul Col
Sound Editor:
Samuel Gagnon-Thibodeau
Francis Gauthier
Sound Re-Recording Mixer:
Hans Laitres
Sound Recordist:
Claude La Haye
Sound Supervisor:
Sylvain Bellemare
Thanks:
Bárbara Muschietti
Third Assistant Director:
Paul Aton
Claire Baumann
Visual Effects Producer:
Marie-Claude Lafontaine
Visual Effects Supervisor:
Alain Lachance
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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