A work in constant progress (and occasional regress).
Birthplace:
USA
Aaron Ryder is an American film producer. Early in his career, he was an executive producer of Christopher Nolan's Memento (2000) and Richard Kelly's Donnie Darko (2001), and also produced Nolan's The Prestige (2006). Ryder was one of the founding members of FilmNation Entertainment. During his time at FilmNation, he produced Mud (2012), House at the End of the Street (2012), The Founder (2016), Pieces of a Woman (2020), and The Map of Tiny Perfect Things (2021). In 2016, Ryder produced Denis Villeneuve's Arrival, which earned him an Academy Award for Best Picture nomination with Shawn Levy, Dan Levine, and David Linde. In early 2021, Ryder formed Ryder Picture Company, a film and television production company with a first-look-deal with MGM. Ryder's first production under the Ryder Picture Company banner, Bruiser (2022), premiered at the Toronto International Film Festival 2022, and the second feature, Dumb Money, is currently in production.
Executive Producer:
2000 Memento
2001 Donnie Darko
2001 The Mexican
2002 Wish You Were Dead
2003 Wrong Turn
2011 Red Dog
2017 Kill Switch
2017 The Sense of an Ending
2020 Greyhound
Producer:
2000 Memento
2001 Donnie Darko
2001 The Mexican
2002 Wish You Were Dead
2003 Wrong Turn
2006 The Amateurs
2006 The Prestige
2006 The Return
2007 The TV Set
2008 Hamlet 2
2009 My One and Only
2011 Red Dog
2012 House at the End of the Street
2012 The Raven
2013 Mud
2014 Premature
2014 Transcendence
2016 Arrival
2016 The Founder
2017 Kill Switch
2017 The Sense of an Ending
2018 Ideal Home
2018 Life Itself
2020 Greyhound
2020 Pieces of a Woman
2020 The Lodge
2021 Reminiscence
2021 The Map of Tiny Perfect Things
2022 Bruiser
2022 The Good House
2023 Dumb Money
2023 To Catch a Killer
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???? The Death of Robin Hood
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Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.