A work in constant progress (and occasional regress).
Alias:
Xavier Marie Philippe Marchand
Executive Producer:
1999 The Trench
2000 Saving Grace
2004 Birth
2009 Dorian Gray
2012 Quartet
2012 The Woman in Black
2013 Diana
2013 Welcome to the Punch
2013 uwantme2killhim?
2015 Eye in the Sky
2015 Insidious: Chapter 3
2015 Spotlight
2017 Message from the King
2017 The Ritual
2018 Stan & Ollie
2019 The Last Right
2019 Wild Rose
2020 The Lodge
Producer:
1999 The Trench
2000 Saving Grace
2004 Birth
2004 Clean
2009 Dorian Gray
2012 Quartet
2012 The Woman in Black
2013 Diana
2013 Welcome to the Punch
2013 uwantme2killhim?
2015 Eye in the Sky
2015 Insidious: Chapter 3
2015 Spotlight
2015 Suite Française
2017 Message from the King
2017 The Ritual
2018 Stan & Ollie
2019 The Last Right
2019 Wild Rose
2020 The Lodge
2022 Mrs. Harris Goes to Paris
2023 Consecration
Executive Producer:
2024 A Gentleman in Moscow
2024 Nautilus
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.