A work in constant progress (and occasional regress).
Alias:
Θύμιος Μπακατάκης
Birthplace:
Atene, Grecia
Born:
December 30, 1969
Thimios Bakatakis is a Greek cinematographer. He has served as a cinematographer for various feature films, short films, music videos, and commercials, often collaborating with director Yorgos Lanthimos on his projects. He is also working in the theater as a lighting designer. Bakatakis was born in Athens, Greece in 1970, and attended Hellenic Cinema and Television School Stavrakos in the same city. He met director Yorgos Lanthimos while attending Stavrakos, whom he befriended and would later regularly collaborate with after their graduations. Bakatakis said that he and Lanthimos are "like family", and that "in every film we've done we've tried to discover a new style of shooting for it".
Additional Photography:
2012 In Search of Avery Willard
Co-Producer:
2012 In Search of Avery Willard
2012 L
Director:
2012 In Search of Avery Willard
2012 L
2018 Time of Day
2020 Dive
Director of Photography:
2002 Uranisco Disco
2004 Hardcore
2005 The Last Fakir
2007 Kinetta
2009 Dogtooth
2010 Attenberg
2011 Porfirio
2012 In Search of Avery Willard
2012 Keep the Lights On
2012 L
2012 The Capsule
2012 km
2013 24 Frames per Century
2013 Necktie
2013 Venice 70: Future Reloaded
2014 Blind
2015 The Family
2015 The Lobster
2017 The Killing of a Sacred Deer
2017 Una
2018 Time of Day
2020 Dive
2020 The Lodge
Second Assistant Camera:
1996 Cavafy
2002 Uranisco Disco
2004 Hardcore
2005 The Last Fakir
2007 Kinetta
2009 Dogtooth
2010 Attenberg
2011 Porfirio
2012 In Search of Avery Willard
2012 Keep the Lights On
2012 L
2012 The Capsule
2012 km
2013 24 Frames per Century
2013 Necktie
2013 Venice 70: Future Reloaded
2014 Blind
2015 The Family
2015 The Lobster
2017 The Killing of a Sacred Deer
2017 Una
2018 Time of Day
2020 Dive
2020 The Lodge
Still Photographer:
1996 Cavafy
2002 Uranisco Disco
2004 Hardcore
2005 The Last Fakir
2007 Kinetta
2009 Dogtooth
2010 Attenberg
2011 Porfirio
2012 In Search of Avery Willard
2012 Keep the Lights On
2012 L
2012 The Capsule
2012 km
2013 24 Frames per Century
2013 Necktie
2013 Venice 70: Future Reloaded
2014 Blind
2015 The Family
2015 The Lobster
2017 The Killing of a Sacred Deer
2017 Una
2018 Time of Day
2020 Dive
2020 The Lodge
Thanks:
1996 Cavafy
2002 Uranisco Disco
2004 Hardcore
2005 The Last Fakir
2007 Kinetta
2009 Dogtooth
2010 Attenberg
2011 Alps
2011 Porfirio
2012 In Search of Avery Willard
2012 Keep the Lights On
2012 L
2012 The Capsule
2012 km
2013 24 Frames per Century
2013 Necktie
2013 Venice 70: Future Reloaded
2014 Blind
2015 Chevalier
2015 The Family
2015 The Lobster
2017 The Killing of a Sacred Deer
2017 Una
2018 Pity
2018 Time of Day
2020 Dive
2020 The Lodge
Writer:
1996 Cavafy
2002 Uranisco Disco
2004 Hardcore
2005 The Last Fakir
2007 Kinetta
2009 Dogtooth
2010 Attenberg
2011 Alps
2011 Porfirio
2012 In Search of Avery Willard
2012 Keep the Lights On
2012 L
2012 The Capsule
2012 km
2013 24 Frames per Century
2013 Necktie
2013 Venice 70: Future Reloaded
2014 Blind
2015 Chevalier
2015 The Family
2015 The Lobster
2017 The Killing of a Sacred Deer
2017 Una
2018 Pity
2018 Time of Day
2020 Dive
2020 The Lodge
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.