A work in constant progress (and occasional regress).
Release Date:
October 2, 2019
Original Title:
Gemini Man
Alternate Titles:
Gemini
Gemini Man
Geminis
ジェミニマン:2019
双子杀手
雙子任務:疊影危機
Genres:
Action | Adventure | Science Fiction | Thriller
Production Companies:
Alibaba Pictures Group
Fosun Pictures
Jerry Bruckheimer Films
Paramount Pictures
Skydance Media
Production Countries:
China | United States of America
Ratings / Certifications:
AU: M BE: 16 BR: 14 CH: 12 CZ: 15+ DE: 12 DK: 15 ES: 12 FI: K-16 FR: TP GB: 12A|12 HU: 16 IE: 12A IL: מוגבל מגיל 12 IT: T JP: G KR: 12 LT: N-13 MX: B NL: 12 PL: 16 PT: M/12 RO: 15 RU: 12+ SE: 15 SG: PG13 SK: 12 TR: 13+ US: PG-13
Runtime: 117
Henry Brogan is an elite 51-year-old assassin who's ready to call it quits after completing his 72nd job. His plans get turned upside down when he becomes the target of a mysterious operative who can seemingly predict his every move. To his horror, Brogan soon learns that the man who's trying to kill him is a younger, faster, cloned version of himself.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
3D Artist:
Marco De Rossi
Vendula Gresova
3D Generalist:
Babak Bina
Daniel Perez
Sebastian Knoll
Ondrej Ondracek
ADR Editor:
Kenton Jakub
ADR Mixer:
David Boulton
Mark DeSimone
Michael Miller
Greg Crawford
Dave Wilson
ADR Recordist:
Justine Baker
Jiho Kim
Additional Hairstylist:
Shaquanta Green
Additional Script Supervisor:
Hajar Mainl
Additional Second Assistant Director:
George Lambert
Stephen Turselli
Aerial Camera Technician:
Dane Bjerno
Aerial Director of Photography:
Hans Bjerno
Ager/Dyer:
Mariah Fidalgo
Animation:
Mark Stanger
Elard Meneses
Animation Supervisor:
Eric Petey
Paul Story
Armorer:
Howard Fannon
Péter Szántó
Virle S. Reid
Art Department Coordinator:
Sara Ghaffar
Veronika Szücs
Art Direction:
Gergely Rieger
John Collins
Bence Erdélyi
Robert Cowper
Karl Probert
Lissette Schettini
Diana Trujillo
Assistant Art Director:
Sandra Doyle Carmola
Borbála Debreczeni
Cser Kinga
Hilary Noxon
Kristof Pataricza
Laura Victoria Álvarez Giordanelli
Assistant Chief Lighting Technician:
Damon Marcellino
Jeff Wallace
Assistant Costume Designer:
Moria Sine Clinton
Cristina Spiridakis
Allison Cirbus
Assistant Director:
Gábor Hegedüs Hege
András Hornek
András Hárskúti
Lõcsei Márton
Ferenc Tóth
Assistant Editor:
Blake Gingerich
Assistant Sound Editor:
Craig Kyllonen
Samuel Miille
Joseph Winterbotham
Best Boy Grip:
János Kovács
Shannon Summers
Boom Operator:
János Csáki Jr.
Mark Goodermote
CG Supervisor:
Alessandro Saponi
Stephen Tong
Andrew Roberts
Camera Operator:
Michael Fuchs
Daniele Massaccesi
Micky Froehlich
Camera Production Assistant:
Calum Clarkson
Casting:
Avy Kaufman
Zsolt Csutak
Casting Associate:
Jon Goracy
Color Assistant:
Alan Louis Gordon
Colorist:
Marcy Robinson
Compositing Supervisor:
Miles Lauridsen
Scott Chambers
Ben Warner
Conceptual Design:
Dean Sherriff
Construction Coordinator:
Arturo Campos
Thomas A. Morris Jr.
Construction Manager:
Balazs Kovacs
Akos Menyhart
Costume Assistant:
Jenny Arango
Juliana Osorio
Costume Coordinator:
Catherine Vidos
Costume Design:
Suttirat Anne Larlarb
Cristina Spiridakis
Costume Supervisor:
Pashelle L. Latino
Susan J. Wright
Costumer:
Michael Anzalone
Lisa Gardner
Giselle Guevara
Carolina Serna
Digital Compositor:
Petr Harmacek
Digital Imaging Technician:
Maninder K. Saini
Qais Karadsheh
Director:
Ang Lee
Director of Photography:
Dion Beebe
Dolly Grip:
Mike Moad
Editor:
Tim Squyres
Electrician:
László Bánszki
Adam Horne
Jack McCollum
Czinder Máté
Béla Rácz
Executive Producer:
Chad Oman
Mike Stenson
Brian Bell
First Assistant "A" Camera:
Chad Rivetti
First Assistant Camera:
Patrick McArdle
First Assistant Director:
Jeff J.J. Authors
Darrin Brown
Vincent Giarratano
Ben Lanning
Tamás Vass
First Assistant Editor:
Andrew Leven
Foley Artist:
Marko Costanzo
Foley Editor:
Frank Kern
Foley Mixer:
George A. Lara
Gaffer:
Jarred Waldron
Graphic Designer:
Andrew Rogers
Gordon Tanner
Luis Barvalopez
Zsolt Ilia
Hair Department Head:
Kelvin R. Trahan
Hairstylist:
Pierce Austin
Brendon Heath
Javier Johan Romero
Key Grip:
Mitch Lillian
Donald Reynolds Jr.
Key Hair Stylist:
Miia Kovero
Key Makeup Artist:
LuAndra Whitehurst
Lighting Technician:
Jamie Baglio
Mark Carlile
T.Ryan Dodson
Jeff LaBaume
Joseph Mason
John Paul Palmer
Joshua D. Quick
Louis Rendemonti
Makeup Artist:
Caroline Monge
Aisling Nairn
Judit Farkas-Arful
Judy Murdock
Makeup Department Head:
Luisa Abel
Todd Kleitsch
Marine Coordinator:
Daniel F. Malone
Matchmove Supervisor:
Bhanu Varma
Evan Fraser
Matte Painter:
Cory Bedwell
Gábor Szügyi
Einar Martinsen
Modeling:
Damien Lam
Woohyuck Eric Lee
Shamus Baker
Modelling Supervisor:
Marco Revelant
Music Editor:
E. Gedney Webb
Original Music Composer:
Lorne Balfe
Pipeline Technical Director:
David Zeng
Hamed Hematyar
Pre-Visualization Supervisor:
Chris Williams
Principal Costumer:
Júlia Kiss
Dóra Papp
Producer:
Jerry Bruckheimer
Don Murphy
David Ellison
Dana Goldberg
Don Granger
Production Consultant:
Frank Murray
Jarin Rossiter
Production Coordinator:
Debbie Kim
Chris S. Bryant
Production Design:
Guy Hendrix Dyas
Production Secretary:
Viktor de Hegyessy
Grant Prater
Alan Searcy
Julian OrdoÑez
Property Master:
Robin L. Miller
Rigging Gaffer:
Edward J. Cox
Antal Berger
Rigging Grip:
Beau Bellanich
Harrison Palmer
Screenplay:
David Benioff
Darren Lemke
Billy Ray
Script Supervisor:
Dug Rotstein
Gabriella Winkler
Second Assistant Director:
Ana María Cabrera
Adam Bocknek
Karen Young
Second Second Assistant Director:
Luke Crawford
Christian Labarta
Joe Landry
Second Unit Director:
Jorge Abril
Senior Animator:
Vincent Caudeville
Anneka Fris
Set Costumer:
Sara Matonis
Kara Talley
Set Decorating Coordinator:
Carolina Lee Chan
Zsolt Várhelyi
Shaun Young
Set Decoration:
Victor J. Zolfo
Zsuzsanna Sipos
Set Decoration Buyer:
Szilvia Szisza Toth
Set Designer:
C. Scott Baker
Ron Mason
Daniela Medeiros
Claudia Paipa Rodriguez
Jane Wuu
Set Dresser:
Keith Stiegelbauer
Kenneth Bryant
Robert Davis
Jordan Foster
Krisztián Kondora
Gregg Perez
Diego Quecano
Set Dressing Buyer:
Mary Stacy
Software Engineer:
Niall Lenihan
Martin A. Loga
Jamie McCarter
Sound Effects Editor:
Michael Gilbert
Allan Zaleski
Sound Mixer:
Ed Novick
Sound Re-Recording Mixer:
Ron Bartlett
Doug Hemphill
Special Effects Supervisor:
Mark Hawker
Gábor Kiszelly
Devin Maggio
Special Effects Technician:
Marshall T. Broyles
Trey Gordon
Still Photographer:
Ben Rothstein
Story:
Darren Lemke
David Benioff
Stunt Coordinator:
J.J. Perry
Brad Martin
Stunt Double:
Hayley Wright
Stunts:
Daniel Hargrave
Dave Lovano
Noon Orsatti
Supervising Art Director:
Tom Reta
Supervising Editor:
Debajit Barman
Supervising Sound Editor:
Philip Stockton
Eugene Gearty
Tailor:
Bethany Itterly
Techno Crane Operator:
Zoltán Schrammel
Mark Epstein
Thanks:
Mark Friedberg
Third Assistant Director:
Hajós Péter
Hajnalka Vajay
Title Designer:
Yuanchen Jiang
Travel Coordinator:
Nathalie Rodriguez Martinez
Russell Bartlett
Underwater Director of Photography:
Pete Romano
Unit Publicist:
Michael Singer
VFX Artist:
Meow Nutjaree Wannasri
VFX Editor:
Kaya Herman
Tom McHattie
Video Assist Operator:
Jorge Luis German
Visual Effects:
Joe Howes
Visual Effects Coordinator:
Kristen Drewski
Erin Hewitt
Samira Khan
Malinda McGuire
Jane Simons
Dóra Sárközi
Kelly Louise Evans
Melyssa Forget Turcotte
Visual Effects Editor:
Kent Blocher
Sharon Smith Holley
Visual Effects Producer:
Lenka Líkařová
Karen M. Murphy
Chris McClintock
Julie Orosz
Matthew Dravitzki
Visual Effects Production Assistant:
Fidel Baldovino
Visual Effects Production Manager:
Colleen Murphy
Katherine Soares
Balaji Sreedharan
Jennifer Ramos
Visual Effects Supervisor:
Viktor Müller
Mangesh Palkrit
Sheldon Stopsack
Bill Westenhofer
Darwin Go
Bryan Hirota
Guy Williams
Wardrobe Assistant:
Leslie Bellamy
Demitria Lyles
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.