A work in constant progress (and occasional regress).
Alias:
大衛·埃利森
Birthplace:
Santa Clara, California, USA
Born:
January 9, 1983
David Ellison is an American film producer and CEO of Skydance Media. He is the son of the Oracle Corporation CTO Larry Ellison. In 2010, with his father then the sixth richest person in the world, and a partnership deal with Paramount, Skydance was able to raise $350 million in equity and credit to co-finance and co-produce movies. The company's films include Mission: Impossible – Fallout, Annihilation, World War Z, True Grit, Jack Reacher, Star Trek Into Darkness, Star Trek Beyond and many more. With the 2010 transaction, Ellison was named to Variety's Dealmaker list for 2010 and the Forbes 30 Under 30 list in 2011.
Director:
2012 I Against I
Executive Producer:
2010 True Grit
2011 Mission: Impossible - Ghost Protocol
2012 I Against I
2012 Jack Reacher
2013 G.I. Joe: Retaliation
2013 Star Trek Into Darkness
2013 The Wind Gods
2013 World War Z
2016 Jack Reacher: Never Go Back
2016 Star Trek Beyond
2017 Baywatch
2018 Annihilation
2021 Blush
2021 Snake Eyes: G.I. Joe Origins
2021 Tom Clancy's Without Remorse
2023 Bad Luck Spot!
2023 Kelce
2023 Mission: Impossible - Dead Reckoning Part One
2023 Transformers: Rise of the Beasts
2025 Mission: Impossible - The Final Reckoning
???? Untitled Jack Ryan Film
Producer:
2010 True Grit
2011 Mission: Impossible - Ghost Protocol
2012 I Against I
2012 Jack Reacher
2013 G.I. Joe: Retaliation
2013 Star Trek Into Darkness
2013 The Wind Gods
2013 World War Z
2015 Mission: Impossible - Rogue Nation
2015 Terminator Genisys
2016 Jack Reacher: Never Go Back
2016 Star Trek Beyond
2017 Baywatch
2017 Geostorm
2017 Life
2017 The Hitman's Bodyguard
2018 Annihilation
2018 Mission: Impossible - Fallout
2019 6 Underground
2019 Gemini Man
2019 Terminator: Dark Fate
2020 The Old Guard
2021 Blush
2021 Snake Eyes: G.I. Joe Origins
2021 The Tomorrow War
2021 Tom Clancy's Without Remorse
2022 Luck
2022 The Adam Project
2022 The Greatest Beer Run Ever
2022 Top Gun: Maverick
2023 Air
2023 Bad Luck Spot!
2023 Ghosted
2023 Heart of Stone
2023 Kelce
2023 Mission: Impossible - Dead Reckoning Part One
2023 Spy Kids: Armageddon
2023 The Family Plan
2023 Transformers: Rise of the Beasts
2024 Freediver
2024 Spellbound
2025 Fountain of Youth
2025 Mission: Impossible - The Final Reckoning
2025 The Gorge
???? Atlantis
???? Balls Up
???? Bermuda
???? Best Served Cold
???? Eternal Champions
???? Luna Park
???? Matchbox
???? Mayday
???? Pookoo
???? Ray Gunn
???? The 47 Night Stand
???? The Family Plan 2
???? The Old Guard 2
???? They Will Kill You
???? Top Gun 3
???? Untitled Jack Ryan Film
???? Untitled Star Trek 4
???? Way of the Warrior Kid
Executive Producer:
2018 Altered Carbon
2018 Condor
2018 Tom Clancy's Jack Ryan
2021 Foundation
2022 Good Rivals
2022 Reacher
2022 The Checkup with Dr. David Agus
2023 FUBAR
2023 The Big Door Prize
2024 Aaron Rodgers: Enigma
2024 Cross
2024 Terminator Zero
2024 WondLa
2025 Jane Smith
???? 12 12 12
???? Neuromancer
???? The Untitled Neagley Project
???? Untitled Bull Riding Drama Series
???? Untitled Dan Fogelman NFL Series
???? Untitled Tessa Coates Action-Adventure Series
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.