A work in constant progress (and occasional regress).
Birthplace:
Brisbane, Queensland, Australia
Born:
May 18, 1968
Dion Beebe A.C.S. A.S.C. (/ˈdiːɒn ˈbiːbi/ DEE-on BEE-bee; born 18 May 1968) is an Australian–South African cinematographer. Originally from Brisbane, Queensland, Australia, his family moved to Cape Town, South Africa, in 1972. Dion studied cinematography at the Australian Film, Television and Radio School from 1987 to 1989.[citation needed] Beebe was nominated for an Academy Award and a BAFTA for his work on Rob Marshall's Chicago, and won the 2006 Academy Award for his work on the director's later Memoirs of a Geisha. He is known for his use of stylized, highly saturated colour palettes and for his experimental use of high-speed digital video on Michael Mann's Collateral (for which he won a BAFTA for Best Cinematography) and Miami Vice. He is also a member of the Australian Cinematographers Society (ACS) and the American Society of Cinematographers (ASC). Dion was inducted into the ACS' Hall of Fame at the National Awards on 16 May 2020.
Cinematography:
1996 What I Have Written
Director of Photography:
1992 Crush
1995 Vacant Possession
1996 Floating Life
1996 What I Have Written
1997 40,000 Years of Dreaming
1997 Down Rusty Down
1998 Memory & Desire
1998 My Own Country
1999 Holy Smoke
1999 Praise
2000 Forever Lulu
2000 The Goddess of 1967
2001 Charlotte Gray
2002 Chicago
2002 Equilibrium
2003 In the Cut
2004 Collateral
2005 Memoirs of a Geisha
2006 Miami Vice
2006 Tony Bennett: An American Classic
2007 Rendition
2009 Land of the Lost
2009 Nine
2011 Green Lantern
2012 The Zen of Bennett
2013 Gangster Squad
2014 Edge of Tomorrow
2014 Into the Woods
2016 13 Hours: The Secret Soldiers of Benghazi
2017 The Snowman
2018 Mary Poppins Returns
2018 The Legend of Red Hand
2019 Gemini Man
2020 I Am Woman
2023 The Little Mermaid
2025 Michael
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.