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Mathew Krentz (b. 1982)

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Alias:
Mat Krent
Matt Krentz

Birthplace:
Maple Ridge, British Columbia, Canada

Born:
April 21, 1982

Biography from TheMovieDB

Mathew Krentz's capacity for creating captivating imagery spans film and episodic work and has proved capable of immersing audiences into compelling, believable worlds, whatever the story or the medium.   His multidisciplinary background covers everything from on-set production to post, with particular specialisations in composing and quality control.  His 20-year career has seen Mathew hone his skillset on a wide range of major productions, including several seasons of Game of Thrones and Fantastic Beasts: The Crimes of Grindelwald. His work on The Collector was recognised with a Leo Award for Best Visual Effects in a Dramatic Series, while his composing for The DaVinci Code was nominated for a VES Award.   Mathew's work includes Sopranos prequel The Many Saints of Newark and numerous projects for Apple TV+, including For All Mankind, The Kitchen, and Triple Frontier. Matthew also supervised the Gal Gadot spy thriller Heart of Stone for Netflix.  Information above via their homepage,

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Additional information:

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Film Production

Compositing Artist:
2004  Garfield
2006  Garfield: A Tail of Two Kitties
2008  Nim's Island
2009  Space Buddies
2009  The Twilight Saga: New Moon
2010  Alice in Wonderland

Compositing Lead:
2004  Garfield
2006  Garfield: A Tail of Two Kitties
2006  Man About Town
2006  The Da Vinci Code
2008  Nim's Island
2009  Space Buddies
2009  The Twilight Saga: New Moon
2010  Alice in Wonderland

Compositing Supervisor:
2004  Garfield
2006  Garfield: A Tail of Two Kitties
2006  Man About Town
2006  The Da Vinci Code
2007  Blades of Glory
2008  Nim's Island
2009  Space Buddies
2009  The Twilight Saga: New Moon
2010  Alice in Wonderland

Digital Compositor:
2004  Garfield
2005  Elektra
2006  Garfield: A Tail of Two Kitties
2006  Man About Town
2006  The Da Vinci Code
2007  Blades of Glory
2007  The Mist
2008  Nim's Island
2009  Dragonball Evolution
2009  Space Buddies
2009  Star Trek
2009  Surrogates
2009  The Twilight Saga: New Moon
2010  Alice in Wonderland
2010  Tomorrow, When the War Began
2011  Sucker Punch

Visual Effects Supervisor:
2004  Garfield
2005  Elektra
2006  Garfield: A Tail of Two Kitties
2006  Man About Town
2006  The Da Vinci Code
2007  Blades of Glory
2007  The Mist
2008  Nim's Island
2009  Dragonball Evolution
2009  Space Buddies
2009  Star Trek
2009  Surrogates
2009  The Twilight Saga: New Moon
2010  Alice in Wonderland
2010  Tomorrow, When the War Began
2011  Sucker Punch
2014  Draft Day
2014  Fury
2014  The Interview
2015  The Last Witch Hunter
2019  The Kitchen
2019  Triple Frontier
2020  The New Mutants
2021  The Many Saints of Newark
2023  Heart of Stone
2024  Beetlejuice Beetlejuice
2025  Thunderbolts*

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TV Production

Visual Effects Supervisor:
2011  Game of Thrones

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.