A work in constant progress (and occasional regress).
Alias:
Giammaria Maiorana
Giammaria Majorana
Gian Maria Maiorana
Gian Maria Majorana
Gianmaria Maiorana
Giovanni Majorana
Birthplace:
Rome, Italy
Born:
January 15, 1954
Additional Camera:
2012 Buona giornata
Assistant Camera:
1977 Here We for Example...
1982 Forbidden Dreams
1983 And the Ship Sails On
1984 Nothing Left to Do But Cry
2012 Buona giornata
Camera Operator:
1977 Here We for Example...
1982 Forbidden Dreams
1983 And the Ship Sails On
1984 Nothing Left to Do But Cry
1992 Submission of a Woman
1996 Daylight
1998 That's Life
2000 U-571
2002 Equilibrium
2005 Come Into the Light
2005 Il ritorno del Monnezza
2006 Olé
2009 Visions
2012 Buona giornata
2014 I Can Quit Whenever I Want
2014 Ogni maledetto Natale
2015 The Man from U.N.C.L.E.
2017 I Can Quit Whenever I Want 2: Masterclass
2017 I Can Quit Whenever I Want 3: Ad Honorem
2018 Magical Nights
2021 Si vive una volta sola
First Assistant Camera:
1977 Here We for Example...
1982 Forbidden Dreams
1983 And the Ship Sails On
1984 Nothing Left to Do But Cry
1990 The Bachelor
1992 Submission of a Woman
1996 Daylight
1998 That's Life
2000 U-571
2002 Equilibrium
2005 Come Into the Light
2005 Il ritorno del Monnezza
2006 Olé
2009 Visions
2012 Buona giornata
2014 I Can Quit Whenever I Want
2014 Ogni maledetto Natale
2015 The Man from U.N.C.L.E.
2017 I Can Quit Whenever I Want 2: Masterclass
2017 I Can Quit Whenever I Want 3: Ad Honorem
2018 Magical Nights
2021 Si vive una volta sola
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.