A work in constant progress (and occasional regress).
Alias:
Fred L. Williams
Birthplace:
Los Angeles, California, USA
Born:
April 10, 1922
Died:
May 11, 1990
Makeup Artist:
1955 The Battler
1956 Around the World in Eighty Days
1963 Palm Springs Weekend
1964 Kisses for My President
1965 How to Murder Your Wife
1968 Wild in the Streets
1969 How to Commit Marriage
1970 The Traveling Executioner
1970 Which Way to the Front?
1971 Man and Boy
1971 Mrs. Pollifax — Spy
1971 The Face of Fear
1972 What's Up, Doc?
1973 The Thief Who Came to Dinner
1974 Mame
1974 The Terminal Man
1975 Report to the Commissioner
1975 Return to Macon County
1975 The Prisoner of Second Avenue
1975 Three for Two
1976 What Now, Catherine Curtis?
1977 Another Man, Another Chance
1980 Hardly Working
1981 Charlie Chan and the Curse of the Dragon Queen
1981 Isabel's Choice
1982 The Shadow Riders
1983 A Caribbean Mystery
1983 Shooting Stars
1983 Sparkling Cyanide
Makeup Supervisor:
1955 The Battler
1956 Around the World in Eighty Days
1963 Palm Springs Weekend
1964 Kisses for My President
1965 How to Murder Your Wife
1968 Wild in the Streets
1969 How to Commit Marriage
1970 The Traveling Executioner
1970 Which Way to the Front?
1971 Man and Boy
1971 Mrs. Pollifax — Spy
1971 The Face of Fear
1972 What's Up, Doc?
1973 The Thief Who Came to Dinner
1974 Mame
1974 The Terminal Man
1975 Report to the Commissioner
1975 Return to Macon County
1975 The Prisoner of Second Avenue
1975 Three for Two
1976 Harry and Walter Go to New York
1976 What Now, Catherine Curtis?
1977 Another Man, Another Chance
1980 Hardly Working
1981 Charlie Chan and the Curse of the Dragon Queen
1981 Isabel's Choice
1982 The Shadow Riders
1983 A Caribbean Mystery
1983 Shooting Stars
1983 Sparkling Cyanide
1987 Police Story: The Freeway Killings
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.