A work in constant progress (and occasional regress).
Alias:
Richard Howard Kline
Richard Kline
Birthplace:
Los Angeles, California, USA
Born:
November 15, 1926
Died:
August 7, 2018
The son of cinematographer Benjamin H. Kline, he started his career in Columbia Pictures at the age of 16 in 1943. He has worked on many iconic movies including Hang 'Em High, Battle for the Planet of the Apes, 1973 remake of King Kong and Death Wish II.
Assistant Camera:
1947 It Had to Be You
Camera Operator:
1947 It Had to Be You
1955 New Orleans Uncensored
1955 Pirates of Tripoli
1956 Nightfall
1958 Bell, Book and Candle
1961 A Raisin in the Sun
1962 Birdman of Alcatraz
1963 Days of Wine and Roses
Director of Photography:
1947 It Had to Be You
1955 New Orleans Uncensored
1955 Pirates of Tripoli
1956 Nightfall
1958 Bell, Book and Candle
1961 A Raisin in the Sun
1962 Birdman of Alcatraz
1963 Days of Wine and Roses
1966 Chamber of Horrors
1967 Camelot
1968 Hang 'em High
1968 The Boston Strangler
1969 A Dream of Kings
1969 Gaily, Gaily
1970 The Moonshine War
1971 Kotch
1971 The Andromeda Strain
1972 Black Gunn
1972 Hammersmith Is Out
1972 The Mechanic
1972 When the Legends Die
1973 Battle for the Planet of the Apes
1973 Soylent Green
1973 The Don Is Dead
1973 The Harrad Experiment
1974 Harrad Summer
1974 Mr. Majestyk
1974 The Terminal Man
1975 Kate McShane
1975 Mandingo
1976 King Kong
1976 Won Ton Ton: The Dog Who Saved Hollywood
1978 The Fury
1978 Who'll Stop the Rain
1979 Star Trek: The Motion Picture
1979 Tilt
1980 The Competition
1980 Touched by Love
1981 Body Heat
1982 Coming Out of the Ice
1982 Death Wish II
1983 Breathless
1983 Deal of the Century
1984 All of Me
1984 Hard to Hold
1985 The Man with One Red Shoe
1986 Howard the Duck
1988 My Stepmother Is an Alien
1990 Downtown
1991 Double Impact
1997 Meet Wally Sparks
Director of Photography:
1965 Honey West
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.