A work in constant progress (and occasional regress).
Jake Morrison is a British visual effects supervisor. He started his career working at a 35 mm slide bureau by day while experimenting at night with custom video mixers. He modified Atari computers to perform visual projections alongside live music. As the bureau transitioned to digital tools such as Quantel Paintboxes, 3D Studio and Alias PowerAnimator, he moved into freelance commercial work in Soho and steadily progressed into feature film compositing and CG supervision. He moved into high-profile film work as lead compositor on Peter Jackson’s Oscar-winning The Lord of the Rings: The Two Towers (2002) and as digital effects supervisor on Zack Snyder’s 300 (2006), followed by roles on Speed Racer (2008), The Matrix Reloaded (2003) and The Matrix Revolutions (2003), Spider-Man (2002), Charlie’s Angels: Full Throttle (2003), Harry Potter and the Sorcerer’s Stone (2001), Iron Man 2 (2010), The Other Guys (2010), and Tooth Fairy (2010). His long collaboration with Marvel Studios began with second-unit visual effects supervision on Joss Whedon’s The Avengers (2012), after which he served as additional VFX supervisor on Thor (2011) and as production VFX supervisor on Thor: The Dark World (2013). His role as production visual effects supervisor on Peyton Reed’s Ant-Man (2015) earned him a BAFTA nomination for Best Special Visual Effects. As overall VFX supervisor for Taika Waititi’s Thor: Ragnarok (2017), he oversaw nearly 2,800 visual effects shots created by eighteen vendors worldwide, which resulted in a Critics’ Choice Award nomination in 2018 for Best Visual Effects. He most recently acted as both second-unit director and overall VFX supervisor on Thor: Love and Thunder (2022), supervising over 2,200 shots across about 25 vendors, and later signed a creative partnership with DNEG to collaborate on future major VFX projects.
CG Supervisor:
2003 Charlie's Angels: Full Throttle
Co-Producer:
2003 Charlie's Angels: Full Throttle
2015 Area 51
Compositor:
2000 Bless the Child
2003 Charlie's Angels: Full Throttle
2015 Area 51
Digital Effects Supervisor:
2000 Bless the Child
2003 Charlie's Angels: Full Throttle
2007 300
2015 Area 51
Second Unit Director:
2000 Bless the Child
2003 Charlie's Angels: Full Throttle
2007 300
2015 Area 51
2022 Thor: Love and Thunder
Senior Visual Effects Supervisor:
2000 Bless the Child
2003 Charlie's Angels: Full Throttle
2007 300
2012 Marvel One-Shot: Item 47
2015 Area 51
2022 Thor: Love and Thunder
Visual Effects Compositor:
2000 Bless the Child
2001 The Animal
2003 Charlie's Angels: Full Throttle
2007 300
2012 Marvel One-Shot: Item 47
2015 Area 51
2022 Thor: Love and Thunder
Visual Effects Supervisor:
2000 Bless the Child
2001 The Animal
2003 Charlie's Angels: Full Throttle
2004 Christmas with the Kranks
2007 300
2010 The Other Guys
2010 Tooth Fairy
2012 Marvel One-Shot: Item 47
2012 The Avengers
2013 Thor: The Dark World
2015 Ant-Man
2015 Area 51
2017 Thor: Ragnarok
2021 Jungle Cruise
2022 Thor: Love and Thunder
2025 Thunderbolts*
Background Designer:
2022 We Baby Bears
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.