A work in constant progress (and occasional regress).
Alias:
Lili Anne Taylor
لیلی تیلور
莉莉·泰勒
Birthplace:
Glencoe, Illinois, USA
Born:
February 20, 1967
Lili Anne Taylor (born February 20, 1967) is an American actress. She came to prominence with supporting parts in the films Mystic Pizza (1988) and Say Anything... (1989), before establishing herself as one of the key figures of 1990s independent cinema through starring roles in Bright Angel (1990), Dogfight (1991), Household Saints, Short Cuts (both 1993), The Addiction (1995), I Shot Andy Warhol (1996), and Pecker (1998). Taylor is the recipient of four Independent Spirit nominations, winning once in the category of Best Supporting Female. Alongside her work on smaller-scale projects, Taylor has encountered mainstream success with parts in films such as Born on the Fourth of July (1989), Rudy (1993), Ransom (1996), High Fidelity (2000), Public Enemies (2009), The Conjuring (2013), and Maze Runner: The Scorch Trials (2015). Other credits include The Notorious Bettie Page (2005), To the Bone (2017), and Paper Spiders (2020). Outside of film, Taylor has appeared in an array of television series. She was nominated for a Primetime Emmy for Outstanding Lead Actress award for portraying Anne Blaine on American Crime (2015–2017). She received two more Emmy nominations for her guest role as Marty Glenn on The X-Files (1998) episode "Mind's Eye" and for her recurring role as Lisa Kimmel on Six Feet Under (2002–2005). Taylor's stage credits include Broadway productions of Anton Chekhov's Three Sisters (1997) and Scott McPherson's Marvin's Room (2017). Description above from the Wikipedia article Lili Taylor, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Thanks:
2014 Take Care
Writer:
1996 Girls Town
2014 Take Care
Writer:
1999 Farscape
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.