A work in constant progress (and occasional regress).
Release Date:
March 4, 2002
Original Title:
The Time Machine
Alternate Titles:
A Máquina do Tempo
Aikakone
La Máquina del Tiempo
La machine à explorer le temps
La máquina del tiempo
Time Machine, The (2002)
Wehikuł Czasu
时光机器
Genres:
Action | Adventure | Science Fiction
Production Companies:
DreamWorks Pictures
Parkes/MacDonald Productions
Warner Bros. Pictures
Production Countries:
United States of America
Ratings / Certifications:
AT: 16 AU: M BR: 12 CH: 16 CZ: 12+ DE: 12 FR: U GB: PG HU: 12 IE: 12 IT: T NL: 12 NZ: M PT: M/12 RO: 12 SE: 15 SK: 12 US: PG-13
Runtime: 96
Hoping to alter the events of the past, a 19th century inventor instead travels 800,000 years into the future, where he finds mankind divided into two warring races.
3D Artist:
Michael Kory
3D Modeller:
Mark Della Rosa
Michael Alkan
Animation Supervisor:
Tom Bertino
Doug Masters
Art Department Coordinator:
Angela Stauffer
Art Direction:
Bruce Robert Hill
Christopher Burian-Mohr
Donald B. Woodruff
Boom Operator:
Harrison D. Marsh
CG Animator:
Mike Makara
CG Supervisor:
Serge Sretschinsky
David Prescott
Cableman:
Perry Dodgson
Camera Operator:
David E. Diano
Vern Nobles
Casting:
Mindy Marin
Chief Lighting Technician:
Steven R. Mathis
Compositors:
Rachel Wyn Dunn
Construction Coordinator:
Gary A. Krakoff
Costume Design:
Deena Appel
Bob Ringwood
Costume Supervisor:
Cha Blevins
Dialogue Editor:
Charles Ewing Smith
David A. Whittaker
Ed Callahan
Digital Compositor:
Lou Pecora
Digital Effects Supervisor:
Jonathan Egstad
Director:
Simon Wells
Director of Photography:
Donald McAlpine
Editor:
Wayne Wahrman
Electrician:
Kevin Tiesiera
John S. Beyers
First Assistant Editor:
Randy Bricker
Foley:
Michael J. Broomberg
Dan O'Connell
John T. Cucci
Alyson Dee Moore
Reuben Simon
John Roesch
Foley Editor:
Steve Tushar
Gaffer:
Joseph Grimaldi
Raman Rao
Key Costumer:
Marcy Craig
Key Grip:
John Lowry
Edmondo Sepulveda
Robin Alan Knight
Key Hair Stylist:
Stephen Elsbree
Barbara Lorenz
Key Makeup Artist:
Scott H. Eddo
Richard Snell
Lead Animator:
Scott Wirtz
Fumi Mashimo
Makeup Department Head:
John M. Elliott Jr.
Negative Cutter:
Gary Burritt
Novel:
H.G. Wells
Original Music Composer:
Klaus Badelt
Producer:
David Valdes
Walter F. Parkes
Production Design:
Oliver Scholl
Property Master:
Glenn Forbes
Scott Maginnis
Jeff Butcher
Researcher:
John Castro
Rigging Gaffer:
Robert E. 'Bobby' Powell
Rigging Grip:
William Decker
Screenplay:
John Logan
David Duncan
Script Supervisor:
Trudy Ramirez
Sharon 'Mae' West
Second Assistant Camera:
Jennifer Bell
Second Unit Director of Photography:
Hiro Narita
Set Costumer:
Marci R. Johnson
Bridgitte Ferry
Set Decoration:
Victor J. Zolfo
Sound Designer:
Mark Mangini
Sound Effects Editor:
Eric Lindemann
Elliott Koretz
Mike Chock
Sound Re-Recording Mixer:
Gregg Landaker
Steve Maslow
Special Effects Supervisor:
Matt Sweeney
Steadicam Operator:
Chuck Brown
Donald E. Thorin Jr.
Still Photographer:
Andrew Cooper
Stunt Coordinator:
Jeff Imada
Stunts:
Steve Kelso
Roy Farfel
Richard Epper
Supervising Sound Editor:
Mark Mangini
Video Assist Operator:
Bryce Shields
Visual Effects Editor:
Timothy Eaton
Kevin Clark
Kelly G. Crawford
Sharon Smith Holley
Debra Wolff
Visual Effects Producer:
Kevin Elam
Julian Levi
Visual Effects Supervisor:
Thomas J. Smith
James E. Price
Erik Nash
Scott Squires
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.