A work in constant progress (and occasional regress).
Additional Photography:
2008 Rambo
Aerial Director of Photography:
2008 Rambo
2010 Resident Evil: Afterlife
Camera Operator:
2001 Exit Wounds
2002 The Scorpion King
2002 The Time Machine
2008 Rambo
2010 Resident Evil: Afterlife
2010 The Expendables
2011 The Double
2013 Don Jon
Cinematography:
2001 Exit Wounds
2002 The Scorpion King
2002 The Time Machine
2008 Rambo
2010 Resident Evil: Afterlife
2010 The Expendables
2011 Paul Williams Still Alive
2011 The Double
2013 Don Jon
Director of Photography:
2001 Exit Wounds
2002 The Scorpion King
2002 The Time Machine
2008 Rambo
2010 Resident Evil: Afterlife
2010 The Expendables
2011 Paul Williams Still Alive
2011 The Double
2013 Don Jon
2017 Maximum Impact
2019 Primal
2020 Dead Reckoning
First Assistant "C" Camera:
2001 Exit Wounds
2002 The Scorpion King
2002 The Time Machine
2006 16 Blocks
2008 Rambo
2010 Resident Evil: Afterlife
2010 The Expendables
2011 Paul Williams Still Alive
2011 The Double
2013 Don Jon
2017 Maximum Impact
2019 Primal
2020 Dead Reckoning
First Assistant Camera:
1997 The Devil's Advocate
2001 Exit Wounds
2002 The Scorpion King
2002 The Time Machine
2006 16 Blocks
2008 Rambo
2010 Resident Evil: Afterlife
2010 The Expendables
2011 Paul Williams Still Alive
2011 The Double
2013 Don Jon
2017 Maximum Impact
2019 Primal
2020 Dead Reckoning
Second Assistant "A" Camera:
1985 Brother Where You Bound
1997 The Devil's Advocate
2001 Exit Wounds
2002 The Scorpion King
2002 The Time Machine
2006 16 Blocks
2008 Rambo
2010 Resident Evil: Afterlife
2010 The Expendables
2011 Paul Williams Still Alive
2011 The Double
2013 Don Jon
2017 Maximum Impact
2019 Primal
2020 Dead Reckoning
Second Unit Cinematographer:
1985 Brother Where You Bound
1997 The Devil's Advocate
2001 Exit Wounds
2002 The Scorpion King
2002 The Time Machine
2006 16 Blocks
2006 One Night with the King
2008 Rambo
2010 Resident Evil: Afterlife
2010 The Expendables
2011 Paul Williams Still Alive
2011 The Double
2013 Don Jon
2017 Maximum Impact
2019 Primal
2019 Rambo: Last Blood
2020 Dead Reckoning
Second Unit Director:
1985 Brother Where You Bound
1997 The Devil's Advocate
2001 Exit Wounds
2002 The Scorpion King
2002 The Time Machine
2006 16 Blocks
2006 One Night with the King
2008 Rambo
2010 Resident Evil: Afterlife
2010 The Expendables
2011 Paul Williams Still Alive
2011 The Double
2013 Don Jon
2017 Maximum Impact
2019 Primal
2019 Rambo: Last Blood
2020 Dead Reckoning
Second Unit Director of Photography:
1985 Brother Where You Bound
1997 The Devil's Advocate
2001 Exit Wounds
2002 The Scorpion King
2002 The Time Machine
2006 16 Blocks
2006 One Night with the King
2008 Rambo
2010 Resident Evil: Afterlife
2010 The Expendables
2011 Paul Williams Still Alive
2011 The Double
2011 The Three Musketeers
2012 Resident Evil: Retribution
2013 Don Jon
2014 Pompeii
2016 Resident Evil: The Final Chapter
2017 Maximum Impact
2019 Primal
2019 Rambo: Last Blood
2020 Dead Reckoning
Steadicam Operator:
1985 Brother Where You Bound
1997 The Devil's Advocate
2001 Exit Wounds
2002 The Scorpion King
2002 The Time Machine
2006 16 Blocks
2006 One Night with the King
2008 Rambo
2010 Resident Evil: Afterlife
2010 The Expendables
2011 Paul Williams Still Alive
2011 The Double
2011 The Three Musketeers
2012 Resident Evil: Retribution
2013 Don Jon
2014 Pompeii
2016 Resident Evil: The Final Chapter
2017 Maximum Impact
2019 Primal
2019 Rambo: Last Blood
2020 Dead Reckoning
Camera Operator:
2013 Mistresses
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.