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Back to the Future Part III (1990) [PG]

Release Date:
May 25, 1990

Original Title:
Back to the Future Part III

Alternate Titles:
Atgal i ateiti III
Back to the Future 3
Back to the Future III
Back to the Future Part 3
De Volta para o Futuro 3
Gələcəyə Dönüş 3
Powrót do Przyszłości 3
Regreso al Futuro III
Regreso al futuro III
Regreso al futuro parte 3
Regreso al futuro parte III
Retorn al futur 3a part
Retour vers le Futur 3ème partie
Retour vers le futur 3
Retour vers le futur III
Ritorno al futuro - parte 3
Ritorno al futuro 3
Ritorno al futuro III
Volver al Futuro III
Volver al futuro III
Vrnitev v prihodnost 3
Zurueck in die Zukunft 3
Zurück in die Zukunft 3
tro ve tuong lai 3
vissza a jovobe 3
Назад в будущее 3
Повратак у будућност 3
בחזרה לעתיד 3
უკან მომავალში მესამე ნაწილი
უკან მომავალში ნაწილი 3
バック・トゥ・ザ・フューチャー PART3：1990
バック・トゥ・ザ・フューチャー3
回到未來 3
백 투 더 퓨처 3
백 투 더 퓨쳐 3
빽 투 더 퓨처 3
빽 투 더 퓨쳐 3

Genres:
Adventure | Comedy | Science Fiction

Production Companies:
Amblin Entertainment
Universal Pictures

Production Countries:
United States of America

Ratings / Certifications:
AU: PG  BE: 16  BR: L  CA: 18A  CZ: 15+  DE: 12  DK: 7  ES: A  FI: K-10  FR: TP  GB: PG  GR: 12  HK: I  HU: 12  IE: PG  IT: T  KR: All  MX: A  NL: 6  PT: M/12  RO: AP  RU: 12+  SE: 11  US: PG 

Runtime: 119

They've saved the best trip for last... But this time they may have gone too far.

Overview from TheMovieDB

The final installment of the Back to the Future trilogy finds Marty digging the trusty DeLorean out of a mineshaft and looking for Doc in the Wild West of 1885. But when their time machine breaks down, the travelers are stranded in a land of spurs. More problems arise when Doc falls for pretty schoolteacher Clara Clayton, and Marty tangles with Buford Tannen.

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Additional information:

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Performers

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Production

ADR Editor:
Alan L. Nineberg
Jessica Gallavan

ADR Mixer:
Charleen Richards-Steeves

ADR Supervisor:
Larry Singer

Additional Second Assistant Director:
Batan Silva

Additional Sound Re-Recording Mixer:
Tom Gerard

Animation Supervisor:
Wes Takahashi

Art Direction:
Margie Stone McShirley
William James Teegarden

Assistant Accountant:
Colleen Arnaud

Assistant Art Director:
Erin M. Cummins

Assistant Camera:
Vance Piper
David Hanks

Assistant Chief Lighting Technician:
Anthony Wong

Assistant Costume Designer:
Barcie Waite

Assistant Editor:
Nancy Jencks

Assistant Production Coordinator:
Jacqueline A. Shea

Assistant Property Master:
Jeff Ackerman

Assistant Sound Editor:
Peter C. Barbour

Associate Editor:
Peter Lonsdale

Associate Producer:
Steve Starkey

Best Boy Grip:
Sid Lucero

Boom Operator:
Earl Sampson

Camera Loader:
Jolanda Wipfli

Camera Operator:
Ray Gilberti

Carpenter:
Marc Fambro

Casting:
Valorie Massalas
Judy Taylor
Mike Fenton

Casting Assistant:
Joni Kearney

Characters:
Bob Gale
Robert Zemeckis

Chief Lighting Technician:
Mark Walthour

Choreographer:
Brad Jeffries

Color Timer:
Stephen R. Sheridan

Construction Coordinator:
Walt Hadfield

Construction Foreman:
Jerry Sargent

Costume Design:
Joanna Johnston

Costume Supervisor:
Chuck Velasco

Costumer:
Kelly Lindquist

Craft Service:
Willie Radcliff

Dialect Coach:
Tim Monich

Director:
Robert Zemeckis

Director of Photography:
Dean Cundey

Dolly Grip:
Dave Wachtman

Driver:
Tom Marchetti

Editor:
Harry Keramidas
Arthur Schmidt

Editorial Coordinator:
Dawn Oltman

Electrician:
Bill Barr

Executive In Charge Of Production:
Jim Morris

Executive Producer:
Steven Spielberg
Kathleen Kennedy
Frank Marshall

First Assistant Camera:
Clyde E. Bryan

First Assistant Director:
David McGiffert

First Assistant Editor:
Janet Fiona Mason

Foley Artist:
Kevin Bartnof

Foley Mixer:
Greg Orloff

Foley Recordist:
Carolyn Tapp

General Manager:
Scott Ross

Greensman:
Richard Brown

Grip:
Steve Chase

Hairstylist:
Dorothy D. Fox

Key Grip:
Ron Cardarelli

Key Hair Stylist:
Dorothy Byrne

Key Makeup Artist:
Michael Mills

Leadman:
Tom McCown

Lighting Technician:
Tom Cantrell

Location Manager:
Michael J. Burmeister

Makeup Artist:
Bron Roylance

Makeup Effects:
Brian Wade

Music Editor:
Kenneth Karman

Music Programmer:
David Bifano

Negative Cutter:
Ron Fode

Orchestrator:
James B. Campbell

Original Music Composer:
Alan Silvestri

Painter:
Cary Conway

Post Production Supervisor:
Martin Cohen

Producer:
Bob Gale
Neil Canton

Production Accountant:
Pam Kaye

Production Assistant:
Alia Agha

Production Controller:
Bonne Radford

Production Design:
Rick Carter

Production Illustrator:
Martin A. Kline

Production Sound Mixer:
William B. Kaplan

Property Master:
John Zemansky

Propmaker:
Tim R. Lafferty

Pyrotechnician:
Michael Meier

Rigging Gaffer:
Jack Todd

Rotoscoping Artist:
Kathleen Beeler

Screenplay:
Bob Gale

Second Assistant Camera:
Larry D. Davis

Second Assistant Director:
Cara Giallanza

Second Second Assistant Director:
Carla Corwin

Second Unit Director:
Max Kleven

Set Decoration:
Michael Taylor

Set Designer:
Beverli Eagan

Set Dressing Artist:
Randy Bostic

Sound Editor:
Paul Timothy Carden

Sound Recordist:
Albert Romero

Special Effects Coordinator:
Judith Weaver

Special Sound Effects:
Alan Howarth

Stand In:
Robert Bennett

Still Photographer:
Sean M. Casey

Story:
Bob Gale
Robert Zemeckis

Studio Teachers:
Jack Tice

Stunt Coordinator:
Walter Scott

Stunt Double:
Debbie Evans
Jennifer Watson-Johnston
Charles Croughwell

Stunts:
Bob Yerkes
Gary Morgan
Jimmy Corona Rooney
Walt La Rue
Robert Jauregui
Marguerite Happy
Ben Scott
Brian Smrz
Daniel K. Moore
R.L. Tolbert
Jim Pratt
Jeff O'Haco
Mike H. McGaughy
Daniel O'Haco
Danny Costa
Will Cascio

Supervising Sound Editor:
Charles L. Campbell

Technical Advisor:
Bret Culpepper

Thanks:
Byron Berline

Transportation Captain:
Steve Collins

Transportation Co-Captain:
Keith O'Brien

Transportation Coordinator:
LeighAnna Frostad

Unit Production Manager:
Joan Bradshaw

Unit Publicist:
Michael Klastorin

VFX Artist:
Loring Doyle

VFX Director of Photography:
Pat Turner

Visual Effects:
Kendall Nishimine

Visual Effects Art Director:
John Bell

Visual Effects Camera:
Peter Daulton

Visual Effects Coordinator:
Kim Bromley

Visual Effects Editor:
Timothy Eaton

Visual Effects Producer:
Patricia Blau

Visual Effects Supervisor:
Scott Farrar
Ken Ralston

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