A work in constant progress (and occasional regress).
Release Date:
September 22, 1978
Original Title:
In Praise of Older Women
Genres:
Drama | Romance
Production Companies:
Astral Bellevue Pathé
Canadian Film Development Corporation
Famous Players Film Company
Films RSL
T.S.M. Investments Limited
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 110
Andras Vayda grows up in a turbulent, war-torn Hungary, where he procures local girls for the occupying G.I.'s during World War II. Disappointed by girls of his age, he meets Maya, a married women in her thirties, who tutors him in the lessons of love and romance. Maya is only the first of many mature women that Andras will meet through his teenage and young adult life.
Art Direction:
Wolf Kroeger
Assistant Art Director:
Stéphane Reichel
Assistant Hairstylist:
Jean-Max Guérin
Assistant Makeup Artist:
Jocelyne Bellemare
Assistant Property Master:
Jean-Claude Bourret
Assistant Sound Editor:
Peter Wintonick
Associate Producer:
Howard Lipson
Boom Operator:
Larry Lynn
Construction Manager:
Roméo Turcotte
Director:
George Kaczender
Director of Photography:
Miklós Lente
Editor:
George Kaczender
Peter Wintonick
Executive Producer:
Harold Greenberg
Stephen J. Roth
First Assistant Director:
Charles Braive
Hairstylist:
David Beckett
Location Sound Recordist:
Henri Blondeau
Makeup Artist:
Michèle Dion
Novel:
Stephen Vizinczey
Original Music Composer:
Tibor Polgár
Producer:
Robert Lantos
Claude Héroux
Production Manager:
Roger Héroux
Property Buyer:
Kathy Wadas
Property Master:
Norman Simpson
Screenplay:
Paul Gottlieb
Second Assistant Director:
Daniel Hausmann
Set Decoration:
Csaba András Kertész
Set Dresser:
Csaba András Kertész
Sound Editor:
Les Halman
Sound Post Supervisor:
Ken Page
Sound Re-Recording Mixer:
Joe Grimaldi
Third Assistant Director:
Ariane Ochrymouych
Unit Manager:
Wendy Grean
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.