A work in constant progress (and occasional regress).
Birthplace:
Montréal, Québec, Canada
Assistant Makeup Artist:
1978 In Praise of Older Women
Key Makeup Artist:
1978 In Praise of Older Women
1980 It Rained All Night the Day I Left
1985 Hold-up
1989 Speed Zone
2000 Battlefield Earth
2002 Redeemer
2002 The Adventures of Pluto Nash
2007 300
2008 Emotional Arithmetic
Makeup Artist:
1978 In Praise of Older Women
1980 It Rained All Night the Day I Left
1981 Black Mirror
1981 Dirty Tricks
1981 Happy Birthday to Me
1981 Quest for Fire
1981 The Kinky Coaches and the Pom Pom Pussycats
1985 Hold-up
1986 Choices
1986 Miles to Go…
1987 Nowhere to Hide
1988 April Morning
1989 Criminal Law
1989 Speed Zone
2000 Battlefield Earth
2002 Redeemer
2002 The Adventures of Pluto Nash
2006 The Fountain
2007 300
2008 Emotional Arithmetic
2008 It's Not Me, I Swear!
Makeup Department Head:
1978 In Praise of Older Women
1980 It Rained All Night the Day I Left
1981 Black Mirror
1981 Dirty Tricks
1981 Happy Birthday to Me
1981 Quest for Fire
1981 The Kinky Coaches and the Pom Pom Pussycats
1985 Hold-up
1986 Choices
1986 Miles to Go…
1987 Nowhere to Hide
1988 April Morning
1989 Criminal Law
1989 Day One
1989 Speed Zone
2000 Battlefield Earth
2002 Redeemer
2002 The Adventures of Pluto Nash
2006 The Fountain
2007 300
2008 Emotional Arithmetic
2008 It's Not Me, I Swear!
Key Makeup Artist:
2006 10.5: Apocalypse
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.