A work in constant progress (and occasional regress).
Art Direction:
1976 Breaking Point
1978 In Praise of Older Women
1979 Quintet
Associate Producer:
1976 Breaking Point
1978 In Praise of Older Women
1979 Quintet
1980 HealtH
Production Design:
1976 Breaking Point
1977 The Uncanny
1978 In Praise of Older Women
1979 Quintet
1980 HealtH
1980 It Rained All Night the Day I Left
1980 Popeye
1982 First Blood
1982 Split Image
1983 Streamers
1984 The Bay Boy
1985 Ladyhawke
1985 Year of the Dragon
1987 The Sicilian
1989 Casualties of War
1989 Let It Ride
1989 We're No Angels
1992 Shadow of the Wolf
1992 The Last of the Mohicans
1993 The Three Musketeers
1997 The Edge
1999 Running Free
1999 The 13th Warrior
2001 Enemy at the Gates
2002 Equilibrium
2002 Reign of Fire
2003 Beyond Borders
2005 Racing Stripes
2006 Eragon
2007 Love in the Time of Cholera
2010 Prince of Persia: The Sands of Time
2021 The Protégé
2022 Memory
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.