A work in constant progress (and occasional regress).
Birthplace:
Trenton, Ontario, Canada
Born:
June 10, 1953
Died:
November 18, 2013
Peter Wintonick, director, producer, film editor, writer, director, journalist, and advocate, was a one-of-a-kind figure in the Canadian film industry. Wintonick started out as a precociously talented editor on commercial features before committing himself to documentary filmmaking. He became a highly regarded director-writer-producer and a mentor to numerous young filmmakers, as well as a globetrotting advocate and ambassador for socio-political documentaries. Involved in more than 100 films and media projects, he was perhaps best known for Manufacturing Consent: Noam Chomsky and the Media (1992). [The Canadian Encyclopedia]
Assistant Sound Editor:
1978 In Praise of Older Women
Cinematography:
1978 In Praise of Older Women
1995 Ho! Kanada
Director:
1978 In Praise of Older Women
1992 Manufacturing Consent: Noam Chomsky and the Media
1994 A Case Study: Cambodia and East Timor
1994 A Propaganda Model of the Media Plus Exploring Alternative Media
1994 Concision: No Time for New Ideas
1994 Holocaust Denial vs. Freedom of Speech
1994 Noah Chomsky: Personal Influences
1994 Toward a Vision of a Future Society
1995 Ho! Kanada
2000 Cinéma Vérité: Defining the Moment
2002 Seeing is Believing: Handicams, Human Rights and the News
Director of Photography:
1978 In Praise of Older Women
1992 Manufacturing Consent: Noam Chomsky and the Media
1994 A Case Study: Cambodia and East Timor
1994 A Propaganda Model of the Media Plus Exploring Alternative Media
1994 Concision: No Time for New Ideas
1994 Holocaust Denial vs. Freedom of Speech
1994 Noah Chomsky: Personal Influences
1994 Toward a Vision of a Future Society
1995 Ho! Kanada
2000 Cinéma Vérité: Defining the Moment
2002 Seeing is Believing: Handicams, Human Rights and the News
2019 Wintopia
Editor:
1978 In Praise of Older Women
1980 Agency
1987 The Journey
1988 A Rustling of Leaves: Inside the Philippine Revolution
1992 Manufacturing Consent: Noam Chomsky and the Media
1994 A Case Study: Cambodia and East Timor
1994 A Propaganda Model of the Media Plus Exploring Alternative Media
1994 Concision: No Time for New Ideas
1994 Holocaust Denial vs. Freedom of Speech
1994 Noah Chomsky: Personal Influences
1994 Toward a Vision of a Future Society
1995 Ho! Kanada
1996 The Street
2000 Cinéma Vérité: Defining the Moment
2002 Seeing is Believing: Handicams, Human Rights and the News
2019 Wintopia
Editorial Consultant:
1978 In Praise of Older Women
1980 Agency
1987 The Journey
1988 A Rustling of Leaves: Inside the Philippine Revolution
1992 Manufacturing Consent: Noam Chomsky and the Media
1994 A Case Study: Cambodia and East Timor
1994 A Propaganda Model of the Media Plus Exploring Alternative Media
1994 Concision: No Time for New Ideas
1994 Holocaust Denial vs. Freedom of Speech
1994 Noah Chomsky: Personal Influences
1994 Toward a Vision of a Future Society
1995 Ho! Kanada
1996 The Street
2000 Cinéma Vérité: Defining the Moment
2002 Seeing is Believing: Handicams, Human Rights and the News
2009 Taqwacore: The Birth of Punk Islam
2019 Wintopia
Executive Producer:
1978 In Praise of Older Women
1980 Agency
1987 The Journey
1988 A Rustling of Leaves: Inside the Philippine Revolution
1992 Manufacturing Consent: Noam Chomsky and the Media
1994 A Case Study: Cambodia and East Timor
1994 A Propaganda Model of the Media Plus Exploring Alternative Media
1994 Concision: No Time for New Ideas
1994 Holocaust Denial vs. Freedom of Speech
1994 Noah Chomsky: Personal Influences
1994 Toward a Vision of a Future Society
1995 Ho! Kanada
1996 The Street
2000 Cinéma Vérité: Defining the Moment
2002 Seeing is Believing: Handicams, Human Rights and the News
2008 Second Sight
2009 Taqwacore: The Birth of Punk Islam
2019 Wintopia
Producer:
1978 In Praise of Older Women
1980 Agency
1987 The Journey
1988 A Rustling of Leaves: Inside the Philippine Revolution
1992 Manufacturing Consent: Noam Chomsky and the Media
1994 A Case Study: Cambodia and East Timor
1994 A Propaganda Model of the Media Plus Exploring Alternative Media
1994 Concision: No Time for New Ideas
1994 Holocaust Denial vs. Freedom of Speech
1994 Noah Chomsky: Personal Influences
1994 Toward a Vision of a Future Society
1995 Ho! Kanada
1996 The Street
2000 Cinéma Vérité: Defining the Moment
2002 Seeing is Believing: Handicams, Human Rights and the News
2008 Second Sight
2009 Taqwacore: The Birth of Punk Islam
2012 Maneuvers in the Dark
2019 Wintopia
Sound Mixer:
1978 In Praise of Older Women
1980 Agency
1987 The Journey
1988 A Rustling of Leaves: Inside the Philippine Revolution
1992 Manufacturing Consent: Noam Chomsky and the Media
1994 A Case Study: Cambodia and East Timor
1994 A Propaganda Model of the Media Plus Exploring Alternative Media
1994 Concision: No Time for New Ideas
1994 Holocaust Denial vs. Freedom of Speech
1994 Noah Chomsky: Personal Influences
1994 Toward a Vision of a Future Society
1995 Ho! Kanada
1996 The Street
2000 Cinéma Vérité: Defining the Moment
2002 Seeing is Believing: Handicams, Human Rights and the News
2008 Second Sight
2009 Taqwacore: The Birth of Punk Islam
2012 Maneuvers in the Dark
2019 Wintopia
Writer:
1978 In Praise of Older Women
1980 Agency
1987 The Journey
1988 A Rustling of Leaves: Inside the Philippine Revolution
1992 Manufacturing Consent: Noam Chomsky and the Media
1994 A Case Study: Cambodia and East Timor
1994 A Propaganda Model of the Media Plus Exploring Alternative Media
1994 Concision: No Time for New Ideas
1994 Holocaust Denial vs. Freedom of Speech
1994 Noah Chomsky: Personal Influences
1994 Toward a Vision of a Future Society
1995 Ho! Kanada
1996 The Street
2000 Cinéma Vérité: Defining the Moment
2002 Seeing is Believing: Handicams, Human Rights and the News
2008 Second Sight
2009 Taqwacore: The Birth of Punk Islam
2012 Maneuvers in the Dark
2019 Wintopia
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.