A work in constant progress (and occasional regress).
Alias:
Matthew 'Teal' Butler
Matthew Butler
Matthew E. Butler is a visual effects supervisor. He was nominated for the 84th Academy Awards for Best Visual Effects for Transformers: Dark of the Moon. His nomination was shared with Scott Benza, Scott Farrar and John Frazier. In 2014, Matthew's collaboration with Steven Spielberg on Ready Player One earned him nominations for the Academy, BAFTA, and VES awards. Description above from the Wikipedia article Matthew E. Butler, licensed under CC-BY-SA, full list of contributors on Wikipedia.
3D Artist:
1996 T2 3-D: Battle Across Time
1998 What Dreams May Come
3D Supervisor:
1996 T2 3-D: Battle Across Time
1998 Armageddon
1998 What Dreams May Come
CG Supervisor:
1996 T2 3-D: Battle Across Time
1998 Armageddon
1998 What Dreams May Come
1999 Fight Club
Digital Effects Supervisor:
1996 T2 3-D: Battle Across Time
1998 Armageddon
1998 What Dreams May Come
1999 Fight Club
2000 How the Grinch Stole Christmas
2001 A Beautiful Mind
2001 Vanilla Sky
Thanks:
1996 T2 3-D: Battle Across Time
1998 Armageddon
1998 Plug
1998 What Dreams May Come
1999 Fight Club
2000 How the Grinch Stole Christmas
2001 A Beautiful Mind
2001 Vanilla Sky
2015 Eye in the Sky
2019 Official Secrets
Visual Effects Supervisor:
1996 T2 3-D: Battle Across Time
1998 Armageddon
1998 Plug
1998 What Dreams May Come
1999 Fight Club
2000 How the Grinch Stole Christmas
2001 A Beautiful Mind
2001 Vanilla Sky
2006 Flags of Our Fathers
2006 Letters from Iwo Jima
2008 The Mummy: Tomb of the Dragon Emperor
2009 Transformers: Revenge of the Fallen
2011 Transformers: Dark of the Moon
2013 Ender's Game
2015 Eye in the Sky
2015 Pixels
2018 Ready Player One
2019 Official Secrets
2022 Morbius
2025 The Electric State
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.