A work in constant progress (and occasional regress).
Birthplace:
Alvarado, Texas, USA
Born:
May 1, 1924
Died:
October 29, 1995
Terry Southern (May 1, 1924 – October 29, 1995) was an American novelist, essayist, screenwriter, and university lecturer, noted for his distinctive satirical style. Part of the Paris postwar literary movement in the 1950s and a companion to Beat writers in Greenwich Village, Southern was also at the center of Swinging London in the 1960s and helped to change the style and substance of American films in the 1970s. Description above from the Wikipedia article Terry Southern, licensed under CC-BY-SA,full list of contributors on Wikipedia.
Adaptation:
1958 Emperor Jones
Additional Writing:
1958 Emperor Jones
1965 The Collector
Novel:
1958 Emperor Jones
1965 The Collector
1968 Candy
1969 The Magic Christian
Original Film Writer:
1958 Emperor Jones
1965 The Collector
1968 Candy
1969 The Magic Christian
2025 National Theatre Live: Dr. Strangelove
Producer:
1958 Emperor Jones
1965 The Collector
1968 Candy
1969 The Magic Christian
1970 End of the Road
2025 National Theatre Live: Dr. Strangelove
Screenplay:
1958 Emperor Jones
1964 Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
1965 The Cincinnati Kid
1965 The Collector
1965 The Loved One
1967 Don't Make Waves
1968 Barbarella
1968 Candy
1969 Easy Rider
1969 The Magic Christian
1970 End of the Road
2025 National Theatre Live: Dr. Strangelove
Writer:
1958 Emperor Jones
1964 Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
1965 The Cincinnati Kid
1965 The Collector
1965 The Loved One
1967 Don't Make Waves
1968 Barbarella
1968 Candy
1969 Easy Rider
1969 The Magic Christian
1970 End of the Road
1988 The Telephone
2025 National Theatre Live: Dr. Strangelove
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.