A work in constant progress (and occasional regress).
Release Date:
June 20, 1967
Original Title:
Don't Make Waves
Alternate Titles:
Comment réussir en amour sans se fatiguer
Comment réussir en amour sans se fatiguer?
Die nackten Tatsachen
Hvad laver du i min seng?
Nie daj się usidlić
No hagan olas
Não Faça Onda
Não Faças Ondas
Piano, piano non t'agitare!
Santamonika no shûmatsu
Vad gör du i min säng...
Å, sånne bøljer
Не гони волну
サンタモニカの週末
Genres:
Comedy
Production Companies:
Filmways Pictures
Metro-Goldwyn-Mayer
Production Countries:
United States of America
Ratings / Certifications:
US: NR
Runtime: 97
Carlo Cofield vacations to Southern California, where he quickly becomes immersed in the easy-going local culture, getting entangled in two beachside romances.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Adaptation:
Maurice Richlin
Art Direction:
Edward C. Carfagno
George W. Davis
Assistant Camera:
Cliff King
Assistant Director:
Carl Beringer
Erich von Stroheim Jr.
Assistant Director Trainee:
Art Levinson
Camera Operator:
James V. King
Conductor:
Vic Mizzy
Costume Design:
Donfeld
Director:
Alexander Mackendrick
Director of Photography:
Philip H. Lathrop
Editor:
Rita Roland
Thomas Stanford
Executive Producer:
Tony Curtis
Hairstylist:
Sydney Guilaroff
Makeup Artist:
John Truwe
William Tuttle
Novel:
Ira Wallach
Orchestrator:
Gus Levene
Original Music Composer:
Vic Mizzy
Producer:
Martin Ransohoff
John Calley
Screenplay:
George Kirgo
Ira Wallach
Terry Southern
Set Decoration:
Henry Grace
Charles S. Thompson
Sound Recordist:
Franklin Milton
Stunts:
Bob Buquor
Lee Faulkner
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.