A work in constant progress (and occasional regress).
Release Date:
June 17, 1965
Original Title:
The Collector
Alternate Titles:
L'obsédé
The Butterfly Collector
收藏家
수집가
Genres:
Thriller
Production Companies:
Collector Company
Columbia Pictures
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
DE: 18 IE: 15 JP: PG12
Runtime: 119
Freddie is an inept bank clerk with no future. His only hobby is collecting butterflies, which gives him a feeling of power and control that is otherwise totally missing from his life. He comes into a large sum of money and buys himself a country house. Still unable to make himself at ease socially, he starts to plan on acquiring a girlfriend - in the same manner as he collects butterflies. He prepares the cellar of the house to be a collecting jar and stalks his victim over several days.
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Additional Writing:
Terry Southern
Art Direction:
John Stoll
Assistant Director:
Sergei Petschnikoff
Roy Baird
Camera Operator:
Norman Warwick
John Harris
Andrew J. McIntyre
Dialogue Coach:
Kathleen Freeman
Director:
William Wyler
Director of Photography:
Robert Krasker
Robert Surtees
Editor:
David Hawkins
Robert Swink
Hairstylist:
Virginia Jones
Ruby Felker
Pearl Tipaldi
Makeup Artist:
Harold Fletcher
Don Schoenfeld
Makeup Supervisor:
Ben Lane
Music Editor:
Richard C. Harris
Novel:
John Fowles
Original Music Composer:
Maurice Jarre
Producer:
John Kohn
Jud Kinberg
Production Manager:
Philip Shipway
Property Master:
Tom Plews
Screenplay:
Stanley Mann
John Kohn
Script Supervisor:
Isabel Blodgett
Second Unit Director:
Robert Swink
Set Decoration:
Frank Tuttle
Sound Designer:
Jack Solomon
Sound Re-Recording Mixer:
Clem Portman
Sound Recordist:
Cyril Collick
Sound Supervisor:
Charles J. Rice
Title Designer:
Richard Kuhn
Wardrobe Master:
Jack Martell
Vi Alford
Brenda Dabbs
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.