Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) [PG]

Release Date:
January 29, 1964

Original Title:
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb

Alternate Titles:
Docteur Folamour
Docteur Folamour ou : comment j'ai appris à ne plus m'en faire et à aimer la bombe
Doktor Strangelove, lub jak przestałem się martwić i pokochałem bombę
Doutor Estranhoamor
Dr Folamour
Dr Strangelove
Dr. Divnoláska aneb Jak jsem se naucil nedelat si starosti a mít rád bombu
Dr. Fantástico
Dr. Fantástico, Ou Como Eu Aprendi a Deixar de me Preocupar e Amar a Bomba
Dr. Folamour
Dr. Insólito
Dr. Insólito o: Como aprendí a dejar de preocuparme y amar la bomba
Dr. Strangelove
Dr. Strangelove SOS-Πεντάγωνο Καλεί Μόσχα
Dr. Strangelove eller: Hvordan jeg lærte å stoppe med å bekymre meg og å elske bomben
Dr. Vreemdelust of: Hoe Ik Mijn Twijfel Overwon en de Bom Leerde Liefhebben
Garip Doktor
Hakase no ijô na aijô: Matawa watashi wa ikani shite shinpai suru no wo yamete suibaku wo aisuru you ni natta ka
Il Dottor Stranamore
Il dottor Stranamore, ovvero come imparai a non preoccuparmi e ad amare la bomba
Telefono rojo volamos hacia moscu?
Tohtori Outolempi eli: Kuinka lakkasin olemasta huolissani ja opin rakastamaan pommia
¿Teléfono rojo? Volamos hacia Moscú
Доктор Стрейнджлав, або Як я перестав хвилюватись i полюбив бомбу
Доктор Стрейнджлав, или Как я научился не волноваться и полюбил атомную бомбу
Доктор Стрејнџлав или: Како сам научио да не бринем и заволим бомбу
奇愛博士
닥터 스트레인지러브

Genres:
Comedy | War

Production Companies:
Columbia Pictures
Hawk Films
Stanley Kubrick Productions

Production Countries:
United Kingdom | United States of America

Ratings / Certifications:
AU: PG  BR: 10  CZ: 15+  DE: 16  DK: 15  ES: 18  FR: TP|12  GB: PG  IE: PG  IT: T  NL: 6  PT: M/12  SE: 11  US: PG 

Runtime: 95

The hot-line suspense comedy.

After the insane General Jack D. Ripper initiates a nuclear strike on the Soviet Union, a war room full of politicians, generals and a Russian diplomat all frantically try to stop the nuclear strike.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

American Film Institute (AFI)

1998
#26
100 Years: 100 MOVIES
100 Greatest American Movies Of All Time
2000
#3
100 Years: 100 LAUGHS
100 Funniest American Movies Of All Time
2005
#64
100 Years: 100 MOVIE QUOTES
100 Greatest Movie Quotes Of All Time
“Gentlemen, you can't fight in here! This is the War Room!”
2007
#39
100 Years: 100 MOVIES — 10TH ANNIVERSARY EDITION
100 Greatest American Films Of All Time

British Film Institute (BFI)

2002
#6
Directors' Top 10 Poll
Greatest Films of All Time

ADR & Dubbing:
John Aldred

Art Direction:
Peter Murton

Assistant Director:
Eric Rattray

Assistant Editor:
Ray Lovejoy

Camera Operator:
Kelvin Pike

Continuity:
Pamela Carlton

Director:
Stanley Kubrick

Director of Photography:
Gilbert Taylor

Editor:
Anthony Harvey

Executive Producer:
Leon Minoff

Hairstylist:
Barbara Ritchie

Key Grip:
Michael Walter

Makeup Artist:
Stuart Freeborn

Novel:
Peter George

Original Music Composer:
Laurie Johnson

Producer:
Stanley Kubrick
Victor Lyndon

Production Design:
Ken Adam

Production Manager:
Clifton Brandon

Screenplay:
Stanley Kubrick
Terry Southern
Peter George

Sound:
John Cox

Sound Editor:
Leslie Hodgson

Sound Recordist:
Richard Bird

Special Effects:
Wally Veevers
Alan Bryce
Arthur 'Weegee' Fellig
Garth Inns

Still Photographer:
Bob Penn

Stunt Double:
Alan Stuart

Title Designer:
Pablo Ferro

Visual Effects Camera:
Jim Body

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.