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Anthony Mackie (b. 1978)

Alias:
Άντονι Μακί
Ентоні Макі
אנתוני מאקי
アンソニー・マッキー
安東尼·麥基
안소니 마키
앤소니 맥키

Birthplace:
New Orleans, Louisiana, USA

Born:
September 23, 1978

Biography from TheMovieDB

Anthony Mackie (born September 23, 1979) is an American actor. He has been featured in feature films, television series and Broadway and Off-Broadway plays, including Ma Rainey's Black Bottom, Drowning Crow, McReele, A Soldier's Play, and Talk, by Carl Hancock Rux, for which he won an Obie Award in 2002.  He was nominated for Best Supporting Actor at the 2009 Independent Spirit Awards for his role in The Hurt Locker. This is Mackie's second ISA nomination, the first coming for his work in 2003 in Brother to Brother, where he was nominated for Best Actor. Also in 2009, Mackie portrayed rapper Tupac Shakur in the film Notorious. He appears in the 2011 Matt Damon film The Adjustment Bureau where he plays Harry Mitchell, a sympathetic member of a shadowy supernatural group that controls human destiny.  Mackie portrays Sam Wilson/Falcon (later Captain America) in the Marvel Cinematic Universe. He has portrayed the character in Captain America: The Winter Soldier (2014), Avengers: Age of Ultron (2015), Ant-Man (2015), Captain America: Civil War (2016), Avengers: Infinity War (2018), Avengers: Endgame (2019), and The Falcon and the Winter Soldier (2021). Description above from the Wikipedia article Anthony Mackie, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Additional information:

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Film Performances

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Film Production

Director:
????  Spark

Executive Producer:
2019  IO
????  Spark

Producer:
2019  IO
2020  The Banker
2021  Outside the Wire
????  Elevation
????  Ending Things
????  Spark
????  The Ogun

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TV Performances

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TV Production

Consulting Producer:
2018  Altered Carbon

Executive Producer:
2018  Altered Carbon
2023  Twisted Metal
????  12 12 12

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.