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The Hurt Locker (2008) [R]

Release Date:
October 10, 2008

Original Title:
The Hurt Locker

Alternate Titles:
Atrapados en Irak
Démineurs
En tierra hostil
Guerra ao Terror
Toedliches Kommando The Hurt Locker
Tödliches Kommando
Vivir al límite
ハート・ロッカー：2008

Genres:
Drama | Thriller | War

Production Companies:
Film Capital Europe Funds (FCEF )
First Light
Grosvenor Park Media
Kingsgate Films
Summit Entertainment
Voltage Pictures

Production Countries:
United States of America

Ratings / Certifications:
AR: 16   AU: MA15+  BR: 14  CH: 16  DE: 16  DK: 15  ES: 16  FI: K-15|K-16  FR: U  GB: 15  GR: 15  HK: IIB  HU: R  IE: 15A  IS: 16  IT: T  JP: PG12   KR: 15  MX: B15   NL: 16  NO: 15  NZ: R16  PE: 14  PT: M/16  RU: 16+  SE: 15  SG: M18   US: R 

Runtime: 131

You don't have to be a hero to do this job. But it helps.

Overview from TheMovieDB

During the Iraq War, a Sergeant recently assigned to an army bomb squad is put at odds with his squad mates due to his maverick way of handling his work.

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Additional information:

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Trailer

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Performers

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Production

ADR Editor:
Robert Troy

ADR Supervisor:
Joe Cappelletti

Additional Music Supervisor:
William Boston

Ager/Dyer:
Melissa Binder

Assistant Costume Designer:
Daniel J. Lester
Cathy Darby

Assistant Property Master:
Karim Kheir
Ben Krakowsky

Associate Producer:
Jack Schuster
Kirk Shaw

Best Boy Electric:
Geoff Dane

Boom Operator:
Simon Bysshe

Camera Operator:
Dale H. Jahraus
Duraid Munajim
Scott MacDonald

Casting:
Mark Bennett
Laura Toplass
Lara Atalla

Casting Assistant:
Adel Akkad

Co-Producer:
Donall McCusker

Color Timer:
Gilbert Carreras
Stephen Nakamura

Construction Coordinator:
Marwan Kheir

Costume Coordinator:
Karma Hijjawi

Costume Design:
George L. Little
Vicky Mulholland

Costume Supervisor:
Moira Anne Meyer
Sara Rakhshandeh

Dialogue Editor:
Robert Troy
Kimberly Harris

Digital Intermediate:
Stefan Sonnenfeld
Mike Chiado
Bruce Lomet

Digital Intermediate Assistant:
J. Cody Baker

Digital Intermediate Producer:
Erik Rogers

Director:
Kathryn Bigelow

Director of Photography:
Barry Ackroyd

Dolly Grip:
Jules Quesnel

Editor:
Bob Murawski
Chris Innis

Executive Producer:
Tony Mark

First Assistant Camera:
Robin Smith
Stewart Whelan
Oliver Driscoll
Imad Rechiche

First Assistant Director:
David Ticotin
Lee Cleary

First Assistant Editor:
Sean Valla

First Assistant Sound Editor:
Ryan Juggler

Foley Editor:
Alex Ullrich
John Sanacore

Gaffer:
Jim Swanson
Matthew Moffat

Key Grip:
Dave Walker

Key Makeup Artist:
Dana Hamel

Lighting Technician:
Hosni Al Baqa

Location Manager:
Jamie Lake
Michael Farias
Fawaz Zoubi

Music Editor:
Julie Pearce

Music Supervisor:
Peter Rotter
John Bissell

Online Editor:
Alex Romano

Original Music Composer:
Buck Sanders
Marco Beltrami

Post Production Assistant:
Rupert Lloyd

Post-Production Manager:
Jack Schuster

Producer:
Kathryn Bigelow
Mark Boal
Nicolas Chartier
Jenn Lee
Greg Shapiro

Production Design:
Karl Júlíusson
Paul Joyal

Production Manager:
Karima Ladjimi
Rob Lycar

Property Master:
Nasser Zoubi
David Inkster

Scoring Mixer:
John Kurlander

Screenplay:
Mark Boal

Script Supervisor:
Aslaug Konradsdottir

Second Assistant Director:
Nicolas Harvard

Second Unit Director of Photography:
Niels Reedtz Johansen

Set Decoration:
Amin Charif El Masri
Ian Nothnagel

Sound Designer:
Paul N.J. Ottosson

Sound Effects:
Chris M. Jacobson

Sound Effects Editor:
Bernard Weiser
Richard C. Franklin
Jamie Hardt

Sound Mixer:
Craig Stauffer
Ray Beckett

Sound Re-Recording Mixer:
Paul N.J. Ottosson

Special Effects Supervisor:
Richard Stutsman
Blair Foord

Still Photographer:
Jonathan Olley
Ed Araquel

Storyboard Designer:
Gary Damian Thomas

Stunt Coordinator:
Tony Marsh
Isaac Hamon

Transportation Coordinator:
Dean Fitzpatrick

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.