A work in constant progress (and occasional regress).
Alias:
Steve Makaj
Birthplace:
Québec, Canada
Born:
February 16, 1953
Serge Houde (born February 16, 1953) is a Canadian film and television character actor. He is best known for his role in Jon Cassar's Emmy-nominated miniseries The Kennedys playing the notorious Chicago mafia boss Sam Giancana opposite Tom Wilkinson and Barry Pepper. GQ's Tom Carson said Houde's performance was "a terrific Sam Giancana (Serge Houde, and where has this formidable actor been all of Martin Scorsese's life?). It will probably set off Camelot guardians' alarm bells to hear that Giancana, the Chicago Mob boss, appears at all—and tête-à-tête with papa Joe, who's committing hubris's fatal error by negotiating with him." Houde began acting at age 35, and he has over 160 film and TV productions to his credit. Besides his role as Sam Giancana in The Kennedys, Houde also appeared in the Seth Rogen-starring feature, 50/50, which premiered at the Toronto International Film Festival in 2011. In it, he played Joseph Gordon-Levitt's character's father and Anjelica Huston's character's husband; his character suffered from Alzheimer's. He also starred as The Doctor in episode 9 of Mortal Kombat: Legacy, Kevin Tancharoen's web series anthology inspired by the popular video game of the same name. In 2014, Houde received a Leo Award nomination for Best Guest Performance by a Male in a Dramatic Series for his role as drug kingpin David Thorpe on CTV's undercover cop series Played. The following year, he attracted attention for his moving portrayal of a homeless man suffering from Tourette's in the hit Canadian police drama 19-2.
Vocals:
2000 Traitor or Patriot
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.