A work in constant progress (and occasional regress).
Release Date:
October 4, 2014
Original Title:
Run for Your Life
Alternate Titles:
Lucha por la vida
Una donna in fuga
Genres:
Drama | TV Movie | Thriller
Production Companies:
Anne Carlucci Productions
Front Street Productions
Running Road Productions
Side Street Post
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 85
Journalist Meredith Redmond is a battered Canadian woman who flees Canada to escape her abusive husband, Robert. She settles in Seattle, but her now-remarried ex-husband eventually finds her. To protect her two children, she must choose between killing him herself, hiring someone to kill him, or disappearing with her children and assuming new identities. Based on a true story.
"A" Camera Operator:
Robin Smith
"B" Camera Operator:
Juan Gabriel Zamora Lopez
Dale H. Jahraus
ADR & Dubbing:
Stephen Cheung
Assistant Chef:
Daryl Kent Bunchynsky
Assistant Costume Designer:
Dawn Grey
Assistant Editor:
Darren Tucker
Assistant Location Manager:
Steve Hearn
Assistant Production Coordinator:
James J.R. Houston
Neil Williams
Assistant Property Master:
Grant Davey
Sandra D.T. Baier
Assistant Set Decoration:
Roger Dole
Associate Producer:
Michael Shepard
Dawn Knight
Marnie Young
Best Boy Electric:
Eric Scobie
Best Boy Grip:
Cody Rusinko
Book:
Ellen Singer
Boom Operator:
Darryl Marko
Camera Operator:
Dale H. Jahraus
Juan Gabriel Zamora Lopez
Casting:
Jackie Lind
Chef:
Scott Parsons
Colorist:
Gary Shaw
Compositor:
Felipe Borges
Controller:
Marnie Termuende
Costume Designer:
Valerie Halverson
Craft Service:
Ken Forsberg
Data Management Technician:
Kathie Singh
Dialogue Editor:
Stephen Cheung
Director:
Michael M. Scott
Director of Photography:
Anthony C. Metchie
Dolly Grip:
John Kuchera
Editor:
Alison Grace
Executive Producer:
Anne Carlucci
Extras Casting:
Sara Brown
Extras Casting Assistant:
Eddy Hardy
Linda A. Crain
First Assistant "B" Camera:
Aidan Dungait
First Assistant Camera:
Pat Cronin
Michael Yueng
First Assistant Director:
Mike Crain
First Assistant Editor:
Darren Tucker
Foley Artist:
Don Harrison
Ian Mackie
Foley Editor:
Rick Senechal
Gaffer:
Tyler Walzak
Key Grip:
Alex Kuchera
Key Hair Stylist:
Tara Colledge
Key Makeup Artist:
Ashley Forshaw
Lead Set Dresser:
Justin Wright
Leadman:
Will O'Brien
Legal Services:
Juliet Smith
Location Manager:
Michael Farias
Makeup & Hair:
Pandora Colledge
Music Supervisor:
Valerie Biggin
On Set Dresser:
Brodie Kitchen
Online Editor:
Kevin Reid
Original Music Composer:
Jeff Toyne
Payroll Accountant:
Miranda Eyre
Post Production Coordinator:
Sepideh Merchant
Post Production Supervisor:
Dawn Knight
Producer:
Harvey Kahn
Producer's Assistant:
Pamela Rempel
Production Accountant:
Kathy Eyre Candiago
Production Coordinator:
Yale Kussin
Production Design:
Tink
Production Manager:
Jamie Lake
Property Master:
Ken Davies
Script Supervisor:
Janice Melnyk
Second Assistant "A" Camera:
Aleks Pichlak
Second Assistant "B" Camera:
Tim Matheson
Second Assistant Director:
Yannick Leray
Second Assistant Production Coordinator:
Matthew Santoro
Security Coordinator:
Sean Hanlin
Set Decoration:
La Vonne Girard
Set Supervisor:
Grace Delahanty
Sound Designer:
Jeff Jackman
Sound Mixer:
Scott Aitken
Sound Re-Recording Mixer:
Angelo Nicoloyannis
Greg Stewart
Special Effects Coordinator:
Brant McIlroy
Stunt Coordinator:
Brett Armstrong
Hugo Steele
Stunt Double:
Ania Markiewicz
Chris Webb
Teleplay:
Benita Garvin
Third Assistant Director:
Gurjit Chohan
Transportation Captain:
Ghilas Aiteur
Transportation Coordinator:
Dean Fitzpatrick
Truck Costumer:
Doanne K. Nielson
Visual Effects Supervisor:
Barry Liu
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.