A work in constant progress (and occasional regress).
Release Date:
July 2, 2007
Original Title:
Destination: Infestation
Alternate Titles:
Ameisen in einem Flugzeug
Ants on a Plane
Deadly Swarm
Swarm
Swarm: Des fourmis dans l'avion
Genres:
Action | Drama | Horror | Science Fiction | Thriller
Production Companies:
Ignite Entertainment
Insight Film Studios
Johnson Production Group
Lifetime
Production Countries:
Canada
Ratings / Certifications:
CA: 14A DE: 18 US: PG-13
Runtime: 87
While on a flight home from Colombia, the plane that Dr. Carrie Ross and her daughter are on is attacked by bullet ants whose sting is the most painful and deadliest on the planet. Joining forces with air marshal Ethan Hart, Dr. Ross, an entomologist, tries desperately to save the flight from disaster. In the end, their struggle brings them closer together and offers the couple hope for the future.
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"A" Camera Operator:
Ivan Maldonado
"B" Camera Operator:
Jill MacLauchlan
Animation:
Chris Woods
Assistant Art Director:
Tashanna Ducharme
Assistant Chef:
Lilly Workentin
Assistant Costume Designer:
Shanna Mair
Assistant Director Trainee:
Tammy Tamkin
Assistant Location Manager:
Ken Meisenbacher
Assistant Makeup Artist:
Megan Davies
Assistant Production Coordinator:
Angela Lamb
Jamie Tait
Assistant Set Decoration:
Gabriel Spear
Associate Producer:
Randy Zalken
Stacey Shaw
Best Boy Electric:
Geoff Dane
Best Boy Grip:
Tony Derkatsch
Boom Operator:
Simon Bright
Cast Driver:
Alvin Ram
Casting Assistant:
Edward Rea
Chef:
Michael Zwart
Co-Producer:
Lindsay MacAdam
Controller:
Bryant Pike
Costume Design:
Rebekka Sorensen
Craft Service:
Tara Fuhre
Dialogue Editor:
Chris Ove
Digital Imaging Technician:
Ray Wong
Director:
George Mendeluk
Director of Photography:
Michael Balfry
Dolly Grip:
Jules Quesnel
Dresser:
Michael Richen
Editor:
Joel Snowden
Executive Producer:
Barry Perelman
Timothy O. Johnson
Extras Casting:
L.A. Hilts
First Assistant "A" Camera:
Richard Schmon
First Assistant "B" Camera:
Kyle Brown
First Assistant Director:
Kevin Speckmaier
First Assistant Editor:
Mark Yuen
Foley Artist:
Michael Keeping
Gaffer:
Jim Swanson
Generator Operator:
Greg Hartley
Grip:
Angela Liebenberg
Sean Jobin
Key Grip:
David Walker
Key Makeup Artist:
Monica Huppert
Key Production Assistant:
Mike Farias
Legal Services:
Doran Chandler
Sarah Terry
Location Manager:
Karen Zajac
Location Production Assistant:
Scott Outwaite
Dale Bredeson
Makeup Effects:
Todd Masters
Modeling:
David Cheng
Jonathan Sibayan
On Set Dresser:
Elliott Cufaro
Online Editor:
Ronald Ramage
Orchestrator:
Peter Allen
Vince Mai
Original Music Composer:
Peter Allen
Vincent Mai
Payroll Accountant:
Leah Tanafranca
Mai-Britt Kotzman
Post Production Accountant:
Linda Sims
Valentina Carp
Post Production Coordinator:
William Higgins
Post Production Supervisor:
Charlotte Clark
Producer:
Kirk Shaw
Production Accountant:
Karen Austin
Production Coordinator:
Kasandra Greene
Production Design:
Hitoshi Okamoto
Production Manager:
John Prince
Rigging Supervisor:
Jeremy Sabo
Script Supervisor:
Susan Williams
Second Assistant "A" Camera:
Richard McSeeney
Second Assistant Director:
Sara Irvine-Erickson
Security Coordinator:
Randy Clair
Set Decoration:
Joel Fisher
Set Supervisor:
Erin Evans
Sound Effects Editor:
Mario Loubert
Chester Biolowas
Sound Mixer:
Mark Noda
Sound Supervisor:
Derick Cobden
Matthew Gionet
Special Effects Assistant:
Chris Labre
John McNulty
Special Effects Coordinator:
Allen Benjamin
Still Photographer:
Katie Yu
Stunt Coordinator:
Owen Walstrom
Technical Supervisor:
Todd Giroux
Thanks:
Charlene Paling
Jonathan Dyck
Third Assistant Director:
Alex Burnett
Transportation Captain:
Jim Stewart
Transportation Coordinator:
Randy Caine
Truck Costumer:
Lindsay Borowko
Unit Manager:
Sarah Rogers
Visual Effects Coordinator:
Gregg Vallieres
Visual Effects Supervisor:
Paul Cox
Writer:
Mary Weinstein
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.