A work in constant progress (and occasional regress).
Release Date:
November 14, 1997
Original Title:
The Jackal
Alternate Titles:
Chacal
Der Schakal - The Jackal
Sakal
Schakalen
The Day of the Jackal
狙击职业杀手
狙擊職業殺手
Genres:
Action | Adventure | Crime | Thriller
Production Companies:
Alphaville Films
BBC
Marubeni
Mutual Film Company
TOHO-TOWA
Tele München
UGC PH
Universal Pictures
Production Countries:
Canada | France | Germany | Japan | United Kingdom | United States of America
Ratings / Certifications:
AR: +13 AU: MA15+ BR: 14 CH: 16 CZ: 12+ DE: 16 DK: 15 ES: 18 FI: K-16 FR: TP GB: 18 HU: 18 IE: 18 IT: T KR: 18 MX: C NL: 16|12 NO: 18 NZ: R16 PH: R-18 PL: 18 PT: M/12 SE: 15 SG: M18 US: R
Runtime: 124
Hired by a powerful member of the Russian mafia to avenge an FBI sting that left his brother dead, a psychopathic hitman known only as The Jackal proves an elusive target for the people charged with the task of bringing him down: a deputy FBI director, a Russian MVK Major, and a jailed IRA terrorist who can recognize him.
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ADR Editor:
Cliff Latimer
ADR Mixer:
Weldon Brown
ADR Supervisor:
Mark Auguste
ADR Voice Casting:
Terri Douglas
Additional Second Assistant Director:
Martin Krauka
Additional Sound Re-Recordist:
Gary Alexander
Aerial Director of Photography:
Larry Blanford
Animation Supervisor:
Richard Malzahn
Art Department Coordinator:
Stephanie Wertlake
Art Direction:
Raymond Dupuis
Ricky Eyres
John Fenner
Bruton Jones
Assistant Accountant:
Michael Beaudin
Assistant Art Director:
Dennis Bosher
Assistant Costume Designer:
Lorraine Z. Calvert
Assistant Editor:
Katie Hedrich
Assistant Location Manager:
Denis Paquette
Assistant Production Coordinator:
Guylaine Boucher
Assistant Property Master:
Jean Simard
Assistant Sound Editor:
Catherine Calleson
Associate Producer:
Sean T. Stratton
Best Boy Electric:
Bernard Arseneau
Best Boy Grip:
Jamie Lagerhausen
Boom Operator:
Paul Cridlin
CG Supervisor:
Ole Dieter Sturm
Camera Operator:
Martin Hume
Camera Technician:
Arwell Roberts
Camera Trainee:
Ciro Candia
Carpenter:
Stephen McGregor
Casting:
Ellen Chenoweth
Casting Assistant:
Mercedes Kelso
Catering:
Robin Demetriou
Color Timer:
Phil Hetos
Construction Buyer:
Jack Dyer
Construction Coordinator:
Ray Barrett
Costume Assistant:
Minni Härkönen
Costume Design:
Albert Wolsky
Costume Supervisor:
William A. Campbell
Dialogue Coach:
Brendan Gunn
Dialogue Editor:
Michael Haight
James Matheny
William Jacobs
Digital Compositors:
David S. Williams Jr.
Digital Effects Producer:
Emma Ibbetson
Digital Supervisor:
Richard Patterson
Director:
Michael Caton-Jones
Director of Photography:
Karl Walter Lindenlaub
Dolly Grip:
Andreas Crawford
Draughtsman:
Alan Hook
Driver:
Vito G. Balenzano
Editor:
Jim Clark
Electrician:
Matthew Brookman
Mark 'Rocky' Evans
Executive In Charge Of Production:
Terence A. Clegg
Executive Producer:
Terence A. Clegg
Mark Gordon
Gary Levinsohn
Hal Lieberman
Extras Casting Assistant:
Katie Conkey
First Assistant Camera:
Simon Hume
First Assistant Director:
Bill Westley
First Assistant Editor:
Eric O. Schusterman
Foley Mixer:
Nerses Gezalyan
Gaffer:
Eddie Knight
Graphic Designer:
Peter Menich
Greensman:
Mark David Kersey
Grip:
Michael Adams
Brian Robertson
Tom Barrett
Hairstylist:
Eithné Fennel
Key Grip:
Kelly R. Borisy
Key Hair Stylist:
Kathe Swanson
Key Set Costumer:
Tommy Boyer
Key Set Production Assistant:
Rick Kelly
Leadman:
Michael D. Harrell
Location Assistant:
Andrew L. Lanier
Location Manager:
Keith Hatcher
Location Scout:
Tom Trigo
Makeup Artist:
Felicity Bowring
Music Consultant:
Paul Gillon
Music Editor:
Todd Kasow
Music Supervisor:
Paul Gillon
Negative Cutter:
Gary Burritt
Orchestrator:
Sonny Kompanek
Original Music Composer:
Carter Burwell
Painter:
Michael R. Clark
Payroll Accountant:
Kelly Stultz
Picture Car Coordinator:
Tom Moore
Pilot:
David Gene Gibbs
Post Production Assistant:
Barclay Crenshaw
Producer:
Michael Caton-Jones
Sean Daniel
James Jacks
Kevin Jarre
Production Accountant:
Dorothy Precious
Production Assistant:
Beth-Anne Uston
Production Coordinator:
Pat McCarthy
Production Design:
Michael White
Production Manager:
François Sylvestre
Production Sound Mixer:
David John
Property Master:
Philip McDonald
Propmaker:
Debbie Nolan
Prosthetics:
Gary Archer
Pyrotechnician:
David Hill
Screenplay:
Chuck Pfarrer
Script Supervisor:
Libbie Barr
Second Assistant Camera:
Mik Allen
Second Assistant Director:
Adam Goodman
Second Unit Director:
Buddy Joe Hooker
Set Costumer:
Scheris Shephard
Set Decoration:
Kate J. Sullivan
Set Dressing Artist:
Pamela M. Rogers
Set Production Assistant:
Heidi Gilbert
Sound Effects Editor:
Noah Blough
Special Effects Supervisor:
Yves De Bono
Special Effects Technician:
Mark Griffin
Stand In:
Debbie Lane
Standby Painter:
Charles Cottrell
Steadicam Operator:
Alf Tramontin
Still Photographer:
Eli Reed
Storyboard Artist:
John Greaves
Stunt Coordinator:
Joe Dunne
Stunt Double:
Terry Jackson
Stunt Driver:
Tom Delmar
Stunts:
Jodi Michelle Pynn
Howard 'Stick' Baines
Linda Perlin
Erik Stabenau
Supervising Sound Editor:
Richard King
Swing:
Alain Gonzalez
Thanks:
Lisa Banes
Third Assistant Director:
Jane Burgess
Title Designer:
Simon Taylor
Transportation Captain:
Bob Foster
Transportation Coordinator:
Dick Moore
Unit Manager:
Michel Chauvin
Unit Production Manager:
Leila Kirkpatrick
Unit Publicist:
Sandy O'Neill
Video Assist Operator:
Lester Dunton
Visual Effects Coordinator:
Tricia Owen
Wardrobe Assistant:
David Crossman
Weapons Master:
John Sprague
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