The Jackal (1997) [R]

Release Date:
November 14, 1997

Original Title:
The Jackal

Alternate Titles:
Chacal
Der Schakal - The Jackal
Sakal
Schakalen
The Day of the Jackal
狙击职业杀手
狙擊職業殺手

Genres:
Action | Adventure | Crime | Thriller

Production Companies:
Alphaville Films
BBC
Marubeni
Mutual Film Company
TOHO-TOWA
Tele München
UGC PH
Universal Pictures

Production Countries:
Canada | France | Germany | Japan | United Kingdom | United States of America

Ratings / Certifications:
AR: +13  AU: MA15+  BR: 14  CH: 16  CZ: 12+  DE: 16  DK: 15  ES: 18  FI: K-16  FR: TP  GB: 18  HU: 18  IE: 18  IT: T  KR: 18  MX: C  NL: 16|12  NO: 18  NZ: R16  PH: R-18  PL: 18  PT: M/12  SE: 15  SG: M18  US: R 

Runtime: 124

How do you stop an assassin who has no identity?

Hired by a powerful member of the Russian mafia to avenge an FBI sting that left his brother dead, a psychopathic hitman known only as The Jackal proves an elusive target for the people charged with the task of bringing him down: a deputy FBI director, a Russian MVK Major, and a jailed IRA terrorist who can recognize him.

Additional information:

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ADR Editor:
Cliff Latimer

ADR Mixer:
Weldon Brown

ADR Supervisor:
Mark Auguste

ADR Voice Casting:
Terri Douglas

Additional Second Assistant Director:
Martin Krauka

Additional Sound Re-Recordist:
Gary Alexander

Aerial Director of Photography:
Larry Blanford

Animation Supervisor:
Richard Malzahn

Art Department Coordinator:
Stephanie Wertlake

Art Direction:
John Fenner
Bruton Jones
Raymond Dupuis
Ricky Eyres

Assistant Accountant:
Michael Beaudin

Assistant Art Director:
Dennis Bosher

Assistant Costume Designer:
Lorraine Z. Calvert

Assistant Editor:
Katie Hedrich

Assistant Location Manager:
Denis Paquette

Assistant Production Coordinator:
Guylaine Boucher

Assistant Property Master:
Jean Simard

Assistant Sound Editor:
Catherine Calleson

Associate Producer:
Sean T. Stratton

Best Boy Electric:
Bernard Arseneau

Best Boy Grip:
Jamie Lagerhausen

Boom Operator:
Paul Cridlin

CG Supervisor:
Ole Dieter Sturm

Camera Operator:
Martin Hume

Camera Technician:
Arwell Roberts

Camera Trainee:
Ciro Candia

Carpenter:
Stephen McGregor

Casting:
Ellen Chenoweth

Casting Assistant:
Mercedes Kelso

Catering:
Robin Demetriou

Color Timer:
Phil Hetos

Construction Buyer:
Jack Dyer

Construction Coordinator:
Ray Barrett

Costume Assistant:
Minni Härkönen

Costume Design:
Albert Wolsky

Costume Supervisor:
William A. Campbell

Dialogue Coach:
Brendan Gunn

Dialogue Editor:
James Matheny
William Jacobs
Michael Haight

Digital Compositors:
David S. Williams Jr.

Digital Effects Producer:
Emma Ibbetson

Digital Supervisor:
Richard Patterson

Director:
Michael Caton-Jones

Director of Photography:
Karl Walter Lindenlaub

Dolly Grip:
Andreas Crawford

Draughtsman:
Alan Hook

Driver:
Vito G. Balenzano

Editor:
Jim Clark

Electrician:
Matthew Brookman
Mark 'Rocky' Evans

Executive In Charge Of Production:
Terence A. Clegg

Executive Producer:
Gary Levinsohn
Hal Lieberman
Terence A. Clegg
Mark Gordon

Extras Casting Assistant:
Katie Conkey

First Assistant Camera:
Simon Hume

First Assistant Director:
Bill Westley

First Assistant Editor:
Eric O. Schusterman

Foley Mixer:
Nerses Gezalyan

Gaffer:
Eddie Knight

Graphic Designer:
Peter Menich

Greensman:
Mark David Kersey

Grip:
Michael Adams
Brian Robertson
Tom Barrett

Hairstylist:
Eithné Fennel

Key Grip:
Kelly R. Borisy

Key Hair Stylist:
Kathe Swanson

Key Set Costumer:
Tommy Boyer

Key Set Production Assistant:
Rick Kelly

Leadman:
Michael D. Harrell

Location Assistant:
Andrew L. Lanier

Location Manager:
Keith Hatcher

Location Scout:
Tom Trigo

Makeup Artist:
Felicity Bowring

Music Consultant:
Paul Gillon

Music Editor:
Todd Kasow

Music Supervisor:
Paul Gillon

Negative Cutter:
Gary Burritt

Orchestrator:
Sonny Kompanek

Original Music Composer:
Carter Burwell

Painter:
Michael R. Clark

Payroll Accountant:
Kelly Stultz

Picture Car Coordinator:
Tom Moore

Pilot:
David Gene Gibbs

Post Production Assistant:
Barclay Crenshaw

Producer:
Sean Daniel
James Jacks
Michael Caton-Jones
Kevin Jarre

Production Accountant:
Dorothy Precious

Production Assistant:
Beth-Anne Uston

Production Coordinator:
Pat McCarthy

Production Design:
Michael White

Production Manager:
François Sylvestre

Production Sound Mixer:
David John

Property Master:
Philip McDonald

Propmaker:
Debbie Nolan

Prosthetics:
Gary Archer

Pyrotechnician:
David Hill

Screenplay:
Chuck Pfarrer

Script Supervisor:
Libbie Barr

Second Assistant Camera:
Mik Allen

Second Assistant Director:
Adam Goodman

Second Unit Director:
Buddy Joe Hooker

Set Costumer:
Scheris Shephard

Set Decoration:
Kate J. Sullivan

Set Dressing Artist:
Pamela M. Rogers

Set Production Assistant:
Heidi Gilbert

Sound Effects Editor:
Noah Blough

Special Effects Supervisor:
Yves De Bono

Special Effects Technician:
Mark Griffin

Stand In:
Debbie Lane

Standby Painter:
Charles Cottrell

Steadicam Operator:
Alf Tramontin

Still Photographer:
Eli Reed

Storyboard Artist:
John Greaves

Stunt Coordinator:
Joe Dunne

Stunt Double:
Terry Jackson

Stunt Driver:
Tom Delmar

Stunts:
Jodi Michelle Pynn
Howard 'Stick' Baines
Linda Perlin
Erik Stabenau

Supervising Sound Editor:
Richard King

Swing:
Alain Gonzalez

Thanks:
Lisa Banes

Third Assistant Director:
Jane Burgess

Title Designer:
Simon Taylor

Transportation Captain:
Bob Foster

Transportation Coordinator:
Dick Moore

Unit Manager:
Michel Chauvin

Unit Production Manager:
Leila Kirkpatrick

Unit Publicist:
Sandy O'Neill

Video Assist Operator:
Lester Dunton

Visual Effects Coordinator:
Tricia Owen

Wardrobe Assistant:
David Crossman

Weapons Master:
John Sprague

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